Archive for December, 2007

Not to sound macabre, but the time has come to lay another year to rest and welcome the unknown.  It’s a little bittersweet, 2007 was a great experience in many ways, but I am sure 2008 has some treats in store and hopefully some hefty doses of learning and evolution. 
I want to thank everyone for supporting me and inspiring my work and to wish you all a happy newyear!

UPDATE: Registration for this event is now open here.

Got an update on the Stockholm workshop via the organizers:

"This event is FREE as previously stated. However, seats are limited, so please do wait to order plane tickets and what not until we release information on how to RSVP. Also, if there are any questions regarding the event, feel free to contact me: marcus.stade at gimlet.se"

I have received word that they are putting together some sort of ticketing / RSVP system right now. I will be posting more info as it becomes available, and you can always check the original event post as I will be updating that as well.

Another track from what is fast becoming my favorite poet-scientist-philosopher-band, Mahogany (you may remember them from this post).  This one is off their "Connectivity!" album.  It doesn’t get much better than this bassline; I think they used a Rickenbacker bass and that sounds a lot like a Casio for the chorus melody, simply amazing. They also happen to have some beautiful album covers. Anyone know who does the artwork? Also, anyone know why I don’t live in Lima, Peru so I can see them live?…Seems to be the only place they play. Click below to hear "Mahogany – The View From The People Wall"

Mahogany on Myspace

 
UPDATE: Registration for this event is now open here.

I’ll be hosting a free (thanks to our gracious sponsors) workshop / talk in Stockholm during January. The workshop will focus on a lot of the concepts I covered in the the Barcelona and New York series along with some new ideas and a good dose of design theory.  I usually do a lot of hands on work within Photoshop so you’re encouraged to bring a laptop if you want to follow along.  There will be a full question and answer period at the end so come prepared if there are any specific concepts you’d like to discuss.

It should be a fun night, the event itself will last about 2 hours and afterwards we’ll move over to the hotel bar for some drinks and mingling. I’ll be bringing some prints from The Shop, but due to the distance I will be traveling for this one, bringing shirts won’t really be practical. Due to other limitations there will not be a live Tycho set, but I will be playing some new music and any questions you have about music are welcomed. Hope to see you all out!

Flasher By The Sea Presents:

Scott Hansen / ISO50
Blending Analogue & Digital: A Design Workshop
January 25, 2008 – 18:30
Stockholm, SWE
Cost: Free (thanks to our sponsors)
RSVP / Tickets: Info is here

Arranged by Stockholm Multimedia Usergroup and Grafiskt Forum
Sponsored by Adobe and Gimlet

Clarion Hotel, Skanstull
Ringvägen 98, BOX 20025 Stockholm
Telefon: +46 (0)8 462 10 00
Arrive at the lobby and there will be signs pointing to the event.

M83 – Run Into Flowers (Jackson Mix)
This is the Jackson remix of M83’s "Run Into Flowers", simply beautiful.  The cover art above is from the full album which did not contain this version, but I like that cover better than the single (which did include the remix) so I went with it. Anyone know who art directed these covers? Have a listen below.

Here’s the video for the original version, a decidedly more psychedelic outing. It’s quite pretty, but a little monotonous for a four minute video; seems more like an outtake from some live visuals.  But considering the chorus is "give me peace and chemicals" it’s not such a stretch that most of it’s intended viewers could remain transfixed for it’s duration. I saw M83 a couple years back when they came to San Francisco with Ulrich Schnauss.  It was a pretty impressive show, complete with an entire band and live instrumentation.

Not completely sure of the details but I am assuming it’s this book: "Henrion, F.H.K. Top Graphic Design, ABC Edition, Zurich 1983." 
Photos via Matt Keers Flickr.

I found this a while back and thought today would be as good as any to post it. Happy Holidays!

"As illustrated by this chart from the latest issue of Seed, the star patterns we see in Jewish,  Islamic and Bahai design reflect how simple rules can give rise to complex patterns, such as the Sierpinski Triangle (lower left) and Koch curve (upper right) fractals.  The intrinsic bond between faith and geometry has fascinated religious philosophers for centuries, from Pythagorean mysticism and the Kabbalah to Islamic design and the Gospel of John.  In fact, as we’ll be exploring more in depth on my other site, the word "logos" can be translated both as "word" and "ratio."  Via The Blingdom of God

Elea 9003, calcolatore elettronico, developed in the Borgolombardo research laboratory headed by Mario Tchou – design: Ettore Sottsass, 1959. Detail of the console. Via Olivetti SPA History.
I think the calculator on most cell phones would blow this thing away.

Poster by G. Pintori for the Olivetti Elettrosumma 22 calculator – 1956
Via Olivetti Group

This was posted over at Monoscope:

"The Motion Picture Association of America (MPAA) has rejected Taxi On the Dark Side’s poster as being “not suitable for all audiences.” …
What’s offensive about this image? The detainee in the hood. Well, actually just the hood. An MPAA spokesman said: “We treat all films the same. Ads will be seen by all audiences, including children. If the advertising is not suitable for all audiences it will not be approved by the advertising administration.”
Welcome to the new age of censorship kids, it makes McCarthyism seem almost quaint."

Sickening to say the least. This is a well executed, poignant design and I don’t see how depicting a real world situation in this manner would be offensive to kids.  More like "educational", but of course the MPAA isn’t exactly concerned with educating the youth, perhaps dumbing them down to the point of complete complacency, but certainly not educating.