Archive for October, 2009

Non-Format is one of the most exciting studios working today. Comprised of Kjell Ekhorn (Norwegian) and Jon Forss (British), Non-Format is known for an exceptionally innovative approach to typography and a fresh, boundary-smashing graphic style. Clients such as Nike, Coca Cola and The New York Times have all tapped the studio’s award winning and internationally acclaimed design talent. Operating on two continents, Non-Format is based in Oslo, Norway and Minneapolis, USA.

One of my first assignments at design school was to bring in some books that I found inspiring. As I had just started the program, I didn’t really have much to show for myself, and I distinctly remember arriving that day to see that around 3/4 of the class had all brought the same book: Non-Format’s Love Song. The extent of their influence on the field of design became immediately clear to me. Since then I’ve kept a close watch on the studio and am always excited to see what they’ve been working on. Recently I had the privilege of interviewing Jon and Kjell and our exchange is after the jump.

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Ghostly International’s on going podcast series has had its share of diverse artists contributing monthly from Graphic Designers like You Work For Them to Detroit’s Hip Hop act Wajeed. This month Ghostly presents Worst Friends/Wolf + Lamb artist Slow Hands which you may know from our exclusive mix series, download and enjoy.

TRACKLIST
Naum Gabo – Volgograd
Mugwump – Stanza
A Mountain Of One – Bones (Way Of The Ancients Remix)
Jarvis Cocker – Discosong (Pilooski Mix)
Phreek Plus One – That’s It
Clap Rules – Old Sequencer – (Bostro Pesopeo Remix)
Motor City Drum Ensemble – Raw Cuts #6
TJ Kong – Music (The Clashing Egos Interpretation)
Break SL – Dirtbomb
Phreek Plus One – Astro Boogie (Sportloto Alpha Remix)
LCD Soundsystem – 45:33 (Padded Cell Remix)

DOWNLOAD THE MIX HERE

Ghostlycast 27: Slow Hands – Live From Autobrennt

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I came across some screencaps from John Carpenter’s 1988 They Live over at the excellent I love Hotdogs blog today (you may remember ILHD from the film titles post) and was immediately struck by the “Obey” scenes. Looks pretty familiar right? Cool to see the inspiration for Shepard Fairey’s Obey Giant campaign, looks like a terrible movie though. Although Roddy Piper cameos are always welcome.

I talked about the HP Envy a while back as a potential alternative to the Macbook and now it’s finally out. I’ve always been a fan of HP laptops, they’re fast and cheap and I’ve had three which have all served me well. But they were all ugly as hell and covered with useless add-ons and blue LEDs; not exactly objects of desire, just practical alternatives to the pricey Macs. So when I heard about the upcoming Envy line I was pretty excited at the prospect of a PC laptop alternative that didn’t suck. Unfortunately, as hard as HP tried to clone the Macbook experience, the Envy seems to have fallen short of the in almost every way. I guess it comes as no surprise, nobody does it like Mac. Gizmodo has all the details on the Envy, including more pics and a review. I think I’

I feel in love with Information Records early last year once all the Studio remixes started to surface, since then they have released D. Lissik and Fontan. A ton of good spacey guitar noodlin’ in the best way, not one bad song out of that trio of bands.

I feel an even bigger psych rock movement(or maybe we should say moment) is about to happen, even bigger than the one we have now and one band that will take us there is the heavily 70’s influenced A Mountain of One.

Marble Sounds didn’t get much love when their EP was released BUT it was only a hand full of tracks, one track that I go back to is Good Occasions its a catchy alternative soft tune that builds nicely maybe even too nice, certain parts linger like a mid 90’s post rock song but the singers voice takes everything up a notch with his high pitch serenades.

I hope everyone that listens to ambient consistently has had a chance to sit with an Eluvium album, not just a song a whole album, he’s right up there with Loscil and Gas in my mind as someone that delivers a full on thought out release, always a beautiful surprise when a track like this pops up randomly at night on your player.

Fontän – Neanderthaler

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A Mountain of One – Lie Awake

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Marble Sounds – Good Occasions

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Eluvium – New Animals From the Air

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Author Michael Pollan (In Defense of Food: An Eater’s Manifesto and The Omnivore’s Dilemma) spoke at U.C. Berkeley’s Zellerbach Hall tonight. If you haven’t heard of his books, you may recognize him from the recent film Food, Inc. — which I highly recommended seeing.

In one of his books, A Place of My Own, Pollan describes how he personally, with no carpentry experience, built this small structure behind his house in Vermont. This whole thing might be ringing a bell if you read the Linda Aldredge post, but remember her tree house is a real, fully livable home, isolated in the woods, in a tree. She definitely wins the battle of priciple, but Pollan gets the honorable mention for pragmatism. Although how many people just happen to have an acre of woods in their backyard? Or happen to own an acre of raw forest for that matter… I think this is an east coast thing, the woods always look amazing out there.

This “writing house” — as he describes it — is a great concept and I am willing to bet it’s an incredibly productive environment. I often find that working in the same space as I live presents unique challenges to motivation and focus. This seems like a cost-effective alternative to having different addresses for your working and living spaces.

How many of you work primarily from home? Do you find there to be a conflict between convenience and distraction in the home work environment? Comment

Art & Copy is a film about advertising currently making its way around the country. The film is an in-depth look at some of the best and most creative minds in the business. As director Doug Pray states, “I felt it could be a more powerful statement to focus the film only on those rare few who actually moved and inspired our culture with their work. And that higher standard made me want to make a film that reflected the same kind of disciplined artistic approach that my subjects used.” It looks really interesting and I’m really excited to see it.

The frightening and most difficult thing about being what somebody calls a creative person is that you have absolutely no idea where any of your thoughts come from really — and especially you don’t have any idea where they are going to come from tomorrow. — Art & Copy

We’ve been watching The Persuaders in class over the last few weeks and, while it’s not specifically about graphic design per se, it’s easy to draw useful parallels between the two disciplines of advertising and design (as they are often one and the same anyway, whether you like it or not). If you are interested, you can watch all of The Persuaders on the website.

This winter is shaping up to be a pretty excellent time for designers as far as film is concerned. Art & Copy will be in San Francisco in early November, Objectified comes out on DVD on October 13th (so sad they had to push it two weeks due to a “manufacturing snafu”…how ironic), and Visual Acoustics will be here November 6th.

I think I am most excited for Visual Acoustics — I remember writing about it a while ago and have been surviving off of Shulman’s wonderful photography in the meantime. Also worth mentioning is The September Issue, the film chronicling the development and process behind the largest issue of Vogue Magazine. I saw this one recently and would recommend it, but it wasn’t quite as good as I was hoping. It’s exciting to see design related films making their way into the (almost) mainstream!

Side note: Art & Copy employs a beautiful ampersand in the logo for the film. Not sure what it is, but it’s very excellent looking.