Me on the Oberheim Four Voice
Zac Brown on electric guitar
Dusty Brown
Alex Cornell lending some acoustic takes
Zac Brown in the studio
I’ve sort of had my head down for the past couple months really digging into the recording of my next album so I thought I’d post up some shots from various sessions. Recently, guitarist Zac Brown (of
Dusty Brown and
DoomBird) has been coming in and contributing parts to some songs. It’s one of the first times I’ve collaborated with another musician and it’s been a great experience. It’s also been fun to wrap my head around recording guitar amps, something I had limited experience with before as most of my songs are written and recorded on my acoustic guitar with the keyboard and drum parts added later. It’s always exciting to find a new sonic texture to work with and it’s definitely an inspiring process to see your vision for a song expanded on by someone else.
If you’ve been following along with the album’s progress, you might have noticed the somewhat protracted nature of the whole thing. It’s been a test to say the least trying to keep on track with music while staying on top of the ISO50 side of things. There was definitely a long period where all I wanted to do was write new songs but not finish them, which is the hardest part for me. The good news is that because of this I now have a few albums of solid material, but the bad news is that it delayed the process of this one getting out. But that’s all behind me now and the past couple months have been the most productive of my musical life. The only problem is that I now have this self-imposed feeling that I’m behind and when I’m feeling that way I can sometimes forget to relax and enjoy the process of creating. It’s funny how much design and music differ in this way for me. While I see the processes of creating both as very similar, I don’t feel I can really sit down and just get music done in the same way as my visual work. It’s easy to say I’m going to devote three nights to a poster and be pretty confident it will get done and I’ll be happy with it. With music it’s always a much longer and drawn out process with more intangible milestones along the way.
The beauty of this entire process and the time devoted to it is that I’ve been allowed the luxury of perspective, something that’s very hard for me when I have to be neck-deep in a project from beginning to end with no breaks. The time has allowed me to continually reevaluate what the work is supposed to be and how best to do the material justice. Most of my songs start out as very small sketches, usually a guitar part and a keyboard part recorded quickly. I then set it aside and move on to something else. When I finally come back to an idea to develop it into a full composition my biggest fear is that I will somehow lose the meaning or the soul of it in the process. The problem is that as I’m adding new parts I start to go on tangents and the song can become something completely different. Sometimes this can be a good thing, but in other cases it takes time to be able to look back and realize that the original idea has been muddled in some way by the initial excitement of discovery. Problems like this tend to disappear when I allow myself to revisit work over time.
Overall, I feel close to wrapping up the production/arrangement phase but then comes mixing and mastering which can be time consuming. My goal is to have things sewn up by, at the very latest, end of summer. But putting time-lines on things doesn’t exactly serve the artistic process, at least not mine anyways, so I’m trying my best to pretend that goal doesn’t exist.
I’ll try to post some more pics / videos as things progress. And on a related note, Yourstru.ly has been filming a piece on the making of the album so there should be some interesting stuff by the time that’s done.
