Archive for July, 2011

ISO50 Visuals At LAUNCH


I’m in Sacramento decompressing after the final, completely insane, few weeks putting the finishing touches on the new Tycho album (I’ll be announcing the release date here very soon). It just so happens that Launch — Sacramento’s annual art / music / fashion festival — is going down this weekend and I’ll be doing some live visuals for Little Foxes during their set.

If you’re not yet up on Little Foxes, they’re a new band consisting of Dusty Brown, Jacob Golden, and Zac Brown (live bassist and collaborator in Tycho). They’re incredible and this event is not to be missed. There are a lot of other great artists on the bill and to top it off it’s back at The Greens again. Hope to see you out there.

More Info at Launch Fesitval site

M83+C Beams+Matthewdavid+James Ferraro



M83 drops the first single with an epic intro for his upcoming album Hurry Up, We’re Dreaming. I would have shared the cover art but its far from being anything ISO50. I find the single catchy especially with the sax solo, makes me feel like have the gained the skills to be able to leap from one skyscraper roof to another but I don’t recommend anyone doing that. Download the single here for free.

C-Beams comes to us from a small Hamburg label called Smallville, who in my mind are the front runners of keeping the early sounds of spaced out minimalist detroit techno alive and well.

Matthewdavid takes on an important role in the beat scene, tied in with labels like Brainfeeder, he becomes a key piece in keeping a mostly beat focused label very interesting by offering up hazy lo-fi sounds.

Alright let me explain, James Ferraro isn’t a normal sound for the ISO50 blog BUT holy shit! its like my VCR is broken, the sound damage is soo authentic its beautiful. The synth line is amazing and the sequence changes are perfected by completely just cutting tape and taping the next part together in the toughest way possible, amazed.

William Eggleston








Just came across William Eggelston’s photography work tonight (I know, very late to this party). I’m completely blown away. A lot of these almost feel like realist oil paintings.

Does anyone do work like this anymore? I’ve never really seen tone and definition like this in anyone’s work. I have to imagine most kids starting out in photography these days are purely digital; sad to think we’ll be seeing less and less film output as the years go on.

More work at William Eggleston Portfolios. Also check out his bio (pdf) for more info on cameras / film used.

Nosh Promo: Behind the Scenes


Last week I wrote a quick post about the Nosh Promo video I made. Today I wanted to go into the production and describe all that went into its creation. Basically it was insane 25 hours from when we started, until the next morning when I exported the final video and the power went out in my apartment building (literally AS I hit export). Above you’ll see the composite I put together to show how each step of the post-process contributed to the final video. View the final video here or at the bottom of this post. I’ll describe each step in detail after the jump.

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A Strangely Isolated Place: Traumbient


When I started working at Ghostly International in the early 2000’s I quickly feel in love with all the promo albums that came from the label Traum. Everything was lush and sugary and catchy ambients atmosphere became a must. I felt like I had really connected with musicians that were making the music that I wanted to get out of my head. I realized they were making the soundtrack to what I loved to imagine about at the time which was pod homes, heavily carpeted sculptures that you can sit on, snowy cliff minimal homes, etc.

Thank you A Strangely Isolated Place for making this mix.

01. Iquinn – Fall [TRAUMCD08]
02. Broker/Dealer – Stormy [TRAUMCD07]
03. Miss Dinky – Nora [TRAUMV11]
04. Fantasias Animadas – Mike’s Road [TRAUMCD01]
05. Waki – Baikamo [TRAUMCD06]
06. Kubikov & Milutenko – Structure [TRAUM13]
07. Process – Room [TRAUMCD13]
08. Kubikov & Milutenko – Special Communication [TRAUM13]
09. Gustavo Lamas – Dulces [TRAUMCD02]
10. Leandro Fresco – Recordable [TRAUMCD01]
11. Yuxtapose – Sciex Elan [TRAUMCD01]
12. Oxtongue – Elba Life [TRAUMCD07]
13. Darmush – Rarpa [TRAUMCD11]
14. Max Cooper – Sea Of Sound (Ambient rework) [TRAUMV131]

Image by: Norik

Hengki Koentjoro






Hengki Koentjoro is a photographer from Indonesia, where most of these shots were taken. You can see more of his jaw-dropping work on his flickr. Any idea what kind of camera was used for these?

via Snowce

Eames in Japan










Not a whole lot of info on this one as the page is in Japanese, but Wakui Works has some nice shots from 1960’s Japan featuring Eames / Herman Miller furniture in it’s natural habitat. Whenever I see shots like these I imagine the lucky people who found all this discarded in an alley somewhere around 1994.

Wakui Works via Brian From Concentrate

18KAffair+John Maus+H. Williams+Ducktails



18 Carat Affair’s Bitter Turns To Sugar is a short serenade that made me question who might be the most unique lo-fi musician these days, he has this authentic sincere haunting touch, grab this track for free.

I had to hold myself back from posting more than just one song from John Maus’ We Must Become the Pitiless Censors of Ourselves album, soo many great songs on this album, loving the melody on this one, pick it up if you can.

I will keep posting Hype Williams on ISO50 until he hits 50k fans on facebook which I hope is never but if it helps him out then I hope it does happen. Part of me hears a Kraftwerk sample, its very short, whatever its reused perfectly.

Ducktails has a new EP Killin’ The Vibe, here’s the new single that features Panda Bear.

Sachin Teng




Some great illustrations by Sachin Teng. Really digging the color palettes and mix of geometric/organic shapes.

Launch Day: Nosh


I don’t think I’ve slept in days. Today our company launched our first app: Nosh. Above is the promo video I made a few days ago which will give you a quick little intro. I plan to write a few process posts on this whole thing: one on the video (which was an EPIC 24 hour production), at least one on the app development, the branding…there was an insane amount of work that went into all this that I’m really excited to share. For now though I am beyond exhausted and am going to go sleep in my chair.

Check it out and let me know what you think! You can read the Techcrunch article here. I’ll write more details later