Archive for August, 2012

My name is Michael Chase, creator of Area of Interest. Today, as a guest on ISO50, I’ll be going into the process of how I create an image.

The first part of creating an image is finding a good location to shoot. It was difficult to tell if Coyote’s Pool was still open for business because it was so run down. Paint was flaking badly from underneath the awnings. All the old banners were sun bleached and fraying. Barbed wire covered one side of the roof which I assumed was to keep bar patrons from climbing onto the establishment. As I walked closer to the building I began to wonder if “Coyote’s Pool” was slang for public outdoor toilet based on the smell of it. I was sure it would yield some great textures and there were plenty.

Some of the most fascinating textures were on the tables in the patio area. This is the original image taken from one of the tables. I’m always on the lookout for cracks, splits, flakes, discoloration, residue, splatters, splotches, and other signs of decay. I use these sorts of textures to highlight the subject of impermanence which is the central theme of my work.

Occasionaly I’ll dramatically alter colors and levels while editing to give myself ideas of which direction I’d like to go next. Sometimes a simple thing like flipping an image or inverting colors can spur me into a completely new direction.

Lately I’ve been working a lot with layering filters and gradient fills. I’m fond of the unusual color combinations that I’ve stumbled on which can really make an image pop.

I tend to make a mess and work backwards. Once I’ve gone too far I’ll strip back until I find a good balance. I know I’m close to being done when I keep returning to the same image over and over. Then it’s subtle level, hue, and lighting tweaks here and there to give the image the atmosphere and mood I want to present.

Here’s a time lapse of the entire process.

Thanks to Jakub and ISO50 for letting me stop by and do this guest post.

The Art Directors Club CRE8 Series presents:
Ghostly International: Of Art and Artifice

Ghostly International and Art Directors Club collaborate on an exciting 4 day event in New York City this September showing the diversity in their artistic roster. Below is the information and schedule on what to catch and make sure to get your tickets soon, this site just launched today.

ABOUT THE EVENT

The Ghostly universe has been steadily expanding since its humble beginnings in Ann Arbor, Michigan in 1999.

The Art Directors Club begins its CRE8 series of music and art focusing on Ghostly International, a unique culture identity that has helped elevate the careers of visual artists including Michael Cina, Sougwen Chung, Andy Gilmore, Will Calcutt and Matt Shlian, while releasing work from musicians such as Matthew Dear, Com Truise, Gold Panda, Lusine and School of Seven Bells.

The Ghostly aesthetic and it’s accompanying ethos has always sought to cast off the restrictions of genre and form. An assertion that creativity, in its apolitical nature, is an act worth striving to achieve. Unconcerned with classification, Ghostly highlights the act of making in and of itself, no matter the medium.

In 2010, Ghostly launched Ghostly International Editions, a “label” of artwork and artists that has grown into a collective of some of North America’s best designers and artists.

Of Art and Artifice is not a retrospective—it is a comprehensive state of the union, a peek into what’s next after 13 years of creativity from Ghostly International, creating an essential selection of work from the Ghostly family into a never-before-seen collection.

ABOUT THE ART DIRECTORS CLUB

Founded in 1920, the Art Directors Club is the premier organization for leaders in visual communication, boasting one of the most concentrated groups of creative talent in the world. A not-for-profit membership organization, the ADC’s mission is to connect creative professionals around the globe while simultaneously provoking and elevating world-changing ideas.

SCHEDULE

Thursday
September 13th / @6pm

Opening Gala
Live music performances by:
→ Com Truise
→ Lusine
→ Michna (DJ)
Live projection performance by:
→ Sougwen Chung

Friday
September 14th / @6pm

Artist Talks Day 1
Hosted By Incase:
→ Michael Cina
→ Andy Gilmore
→ Will Calcutt

Saturday
September 15th / @6pm

Artist Talks Day 2
Hosted By Incase:
→ Matthew Shlian
→ Timothy Saccenti
→ Sougwen Chung

Sunday
September 16th

Open to public 12-5pm

TICKET AVAILABLE HERE

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Mushroom Projects has been a favorite lately, the original mix of this single that 40 Thieves remixed is almost 17 minutes, I imagine the recording jam session might last days.

Knxwledge released his latest via bandcamp, closest J Dilla feel since Bullion.

With Tokimonsta and Hundred Waters both on a train together touring the US with Skrillex collabs obviously are a natural result. This one out of all of the ones floating around sounds the best to me.

Tensnake posted this floor filler today on his fb, Diva House vocals in full effect in 2011-2012, if you can do Diva House vocals you could be sitting on a million dollars this year if you play your cards right.

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Daphni seems to be taking the front seat ever since Caribou got of the tour curcuit, the organic sample based material seems to be turning into darker bangers at higher tempos, i’m really into but i’m not sure how others are feeling, the listeners that expect precious Caribou sugariness.

Its like digging thru my old disco house records, Bob Sinclair jazzercise samples with full on disco strings, the tambourine has never been mixed louder with that the release cut out completely, Tom Trago I hope you know your history though, good dance floor cut.

Nashville is quickly releasing a handful of 80’s flashback artists, i’ve found 3 good ones in the past couple months, I don’t know if it was the Drive Soundtrack or Cut Copy just reached Middle America, I really adore this one from Future Unlimited.

NPR just stamped this on LA’s Daytime Disco duo Poolside with: “one of the most played albums at the station for almost a month now”

Ah, the 2012 Summer Games, now nothing more than the hazy recollection of infinite spoilers and borderline mental illness. While the overall visual presentation wasn’t quite as bad as a lot of people built it up to be (it was certainly better than this bullshit — but not this), London 2012 was an Olympics whose branding I seriously doubt designers will still be going on about 40 years after the fact. Perhaps it was just too advanced for our feeble 21st century minds to comprehend, so to ease us back into our stasis of perpetual nostalgia I present some more universally agreeable fare, from the simpler age of 1976, when everything happening in this picture was perfectly acceptable and also this crudely fashioned chunk of internet-free wood was your computer.

The 1976 Montreal Olympics branding sits right up there with Munich (my personal favorite) and Mexico on the pantheon of graphic design’s greatest achievements. I’m curious to see which of the more recent Olympics — if any — ends up being canonized by the design community in years to come. From the looks of things we shouldn’t hold our collective breath, it’s all been downhill since 1984.

Further reading / viewing here via AisleOne’s Flickr

I don’t know who this guy is, or where he came from, but let’s hope he Kickstarts his app concept so we can give him a million dollars.

Blog and personal favorite visual artist Leif Podhajsky just updated his site recently, and as usual, mind blown!. Most notably: Dan Croll’s ‘From Nowhere’ 7″ artwork (first and second images).

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HIGHLY RECOMMENDED Meanderthals have that hint of secrecy in their sound, maybe something your unknown uncle from the plains of Montana might listen to.

I was on a mission to find New Age with some good flavor, came across Davol, had to dig deep thru a lot of whimsical crap for this one.

Toro Y Moi is back with new cuts, some real proper takes on whats happening in the UK and overall just taking a great stab at dance music.

Preview the new Animal Collective LP, visuals and all.

If you aren’t following Tim Navis (@navisphotography) on Instagram you’re blowing it. Above are some highlights, all fit nicely in line with his overall aesthetic. Must have a print of that top one.

More over at his Instagram Feed and blog

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Matthew Shlian might be labelled a “paper engineer,” but the work that he’s been doing for Ghostly International as of late is seriously blurring the lines between art and science.

Now on his fifth collaboration with Ghostly, the newly released Extraction Series sees him furthering his exploration of geometric movement and tension themes through paper folding and assembly.

I’ve been a bit obsessed with his work since his first colab with Ghostly, and I think it’s now time for me to man-up and make a purchase, as the Extraction Series is in my opinion his best work to date.

For this latest series, Ghostly collaborated on a video of Shlain documenting his process and discussing his techniques. Video work by Ann Arbor-based director and producer Jakob Skogheim. Music by Shigeto.

(Dear Matthew: Please get together with Auralex (or the like) and make us the worlds most beautiful studio acoustic foam panels EVER.)

Posted by Rob Fissmer