Posts by Scott

So by now you’re all no doubt familiar with iPhone social photography app Instagram (which Alex recently “>reviewed) and if you’ve spent any time working with it you likely noticed a somewhat important omission: a web component. There is no official web interface for Instagram profiles; a user must explicitly “share” a photo and even then only that single image is viewable. There are no galleries or user profiles which makes it difficult to share your profile outside the spiked, aluminum-lined garden of iPhone land.

But now Japanese developer Joe Mio has create this missing web interface in Webstagram. The Webstagram site allows access to most of Instagram’s viewing features without the need for an iPhone or even Instagram itself. I’m wondering what Instagram think of all this. Webstagram apparently works by accessing the Instagram API, which would lead me to believe this behavior is sanctioned, at least tacitly. I wasn’t about to enter my Instagram user/pass to try out the logged in state of Webstagram, so I’ll leave it to someone a little more brave to figure out whether you can favorite things (apparently you can comment directly from Webstagram).

While useful and convenient, aesthetically, Webstagram disappoints. The Instagram experience is very branded and consistent. On the contrary, Webstagram sports a bare-bones interface that detracts from the overall cohesiveness and flow of browsing a feed. Here’s to hoping the Instagram guys whip up their own proper web interface with a little richer feature set and a cleaner design.

You can access my ISO50 Instagram feed at Webstagram or via @iso50 in the App.

Some Instagrams I’m following:

Cole Rise – @colerise
Joyce Su – @joycesu
Alex – @alexcornell
Beamer – @beamercola
Jakub – @heatheredpearls

Edit: There is an alternative web interface here, although I am not sure that you can reference a user’s feed directly via a url. Thanks Bramus for the link.

Webstagram via Joyce Su

Shelby’s Blog is running A Week of the 1972 Munich Olympic Games feature and the second installment is pretty epic. This collection of ticket passes from the ’72 games were designed by the legendary Otl Aicher and feature the classic pictograms for which the Munich games are known.

I’m not sure why, but tickets of all kinds have always piqued my interest and this set may be the best I’ve ever laid eyes on. But forget the tickets, would just love some high-res copies of these photos for framing.

Wanken – A Week of the 1972 Munich Olympic Games

Flickr Pools can be a great resource for delving deeper into a visual theme or style and the Indic & Indian Scripts Pool is no exception. At least here in the US, the Latin Alphabet is pretty the only game in town when it comes to design so it’s easy to forget that their are whole other character sets out there. And while I’ve never encountered a project that called for any of these, it’s definitely inspiring to see such fluid characters and layouts.

From the Pool description:

“Indic scripts are Brahmi-derived scripts, This includes scripts used outside India, like Tibetan, Sinhala, Thai, Khmer, Burmese. Is this group for Indic scripts, or is it just for scripts used in India? If it’s the latter, then Arabic would count but Sinhala wouldn’t.”

Indic & Indian Scripts Pool

Some really cool illustrative branding over at Matt Payson’s site. It kills me to post images that aren’t at least 450px wide and screw up the layout, but this is deserving work. Such a refreshing and well executed take on branding, I’d wear shirts of most of these.

Via Draplin

These beautifully executed commercials for EF International Language Centers were created by designer Albin Holmqvist (who did the type) and director Gustav Johansson. The typography is simply incredible; many of these frames would be suitable as posters. There are four commercials in all, the rest can be found at Albin Holmqvist’s Vimeo.

Via Wanken

I came across these great photos from Québec-based recording facility Studio Frisson while gear-lusting tonight and was stricken by their quality. Most studios don’t do a very good job of tastefully photographing the facilities so it was refreshing to see these very well executed portraits of some of the most rare and prized recording equipment in the world. Some of the post on the photos is a little synthetic for my tastes, but still nice. Unfortunately the images are watermarked so you’ll have to imagine what they’d look like clean.

Speaking of watermarked photos, I’ve really been getting annoyed by the practice, particularly by good photographers. I get why they’re doing it, but honestly, is the damage it does to your image and composition worth whatever infringement someone could pull off using a 650px, 72dpi JPEG? Just asking for the sake of argument, I can certainly understand the motivation.

Anyways, you may not share my hopeless obsession with analog audio hardware, but you can’t deny the sexiness of these machines and their interfaces. I’ve always found equipment like this a good source of inspiration when designing realistic software interfaces.

Sorry, no mention of the photographer that I could find. If anyone knows please speak up!

Studio Frisson

Here are a couple of great high res scans from Sarcoptiform’s excellent Flickr stream. Emilienne and Emmanuelle are apparently French books from 1968. I can’t find any more information on them.

The title face looks like Clarendon to me; one of the better uses I’ve seen, particularly on the Emmanuelle cover. And that black background would make a great texture for all sorts of applications. Sharpen > Desaturate, Levels > Select Color Range, or just use in blending mode.

Update: According to Blo in the comments: “Emmanuelle and Emilienne were erotic best sellers, and Emmanuelle was also a film. 10x18cm is the size of the pocket book. It was and still is a collection of novel paperback.”

Via Sarcoptiform

httpvhd://www.youtube.com/watch?v=Dmop7EAY1Zg

While digging around for more info on the “found” work of Vivian Meier, I stumbled onto Todd Bieber’s video detailing his discovery of a roll of film in Prospect Park. He shows some of the (well shot) photography and wonders if he’ll ever find the people who took them. While this is an interesting story, I didn’t find it all that poignant until I read Peter Kirn’s take on Create Digital Motion.

Indeed, we are losing touch more and more with physical media. Perhaps this is a good thing for many reasons, but as a musician I struggle with the most meaningful way to release my work. I grew up focusing on the media as a sort of physical manifestation of the art that it contained. Perhaps it was just my childhood fascination with all things printed and ephemeral, but I do feel a definite disconnect now between myself and my –all digital– music collection. I personally like the idea of a physical object to represents an otherwise unsee-able art form.

I realize that we are marching inexorably towards a physical media-free future (and for most of us, we’re already there), but I’d love to see more ideas like IDEO’s C60 Redux concept; an RFID music system that plays on the strengths of physical and digital media. A system like this might not always be as practical as purely digital music, but I for one would love to experience music at home this way.

More at Create Digital Motion, NPR, TechGear

Some pretty incredible footage from the Phantom Flex high-speed digital camera shot at 2,564 fps. While this is impressive, it starts to be a little bit less so when you consider the price: around $150,000. Hopefully this kind of performance starts to trickle down sooner than later.

Biology Today was a college biology text book in the 70’s and early 80’s. A Journey Round My Skull has posted some high res scans from the 1972 edition. Beautiful stuff, suitable for textures or printing at these resolutions.

Biology Today via on A Journey Round My Skull