Posts by Scott

Herman Miller Embody Review






It’s been about 4 months now since I was able to get my hands on the Embody — Herman Miller’s latest flagship work chair — and now I feel like I’ve spent enough time in it to give a proper review. The Embody seems to be the logical successor to the throne of the ubiquitous Aeron chair and I have to say it’s a worthy one. I’ve had various repetitive stress related injuries throughout the course of my career so I’ve always been very sensitive to ergonomics. I’ve had Aerons and various other chairs but I’ve never really been truly satisfied with any of them. So it was with a healthy dose of skepticism that I approached my experience with the Embody.

Before I got the Embody, I had a hard time finding any definitive information as to whether it did in fact live up to the initial hype surrounding it’s release. I guess chairs are pretty subjective, there’s never really a one size fits all solution. I heard a lot of people debating whether it was better than the Aeron and Humanscale’s Freedom Chair, and still more debating whether it was worth the decidedly high price point. But everything I had read pretty much went out the window when I sat in the Embody. It really is as incredible chair, it’s the first one I’ve had that I’m not constantly aware of. It acts almost as an extension of your body allowing for much longer periods of sitting without the common issues I’ve had with most chairs in the past. The unique seat back isn’t just there for looks, it does wonders for my back which was usually the biggest issue when working for extended periods. The arms are very flexible and can be easily dialed in for a perfect height which goes a long way to alleviate wrist pain issues. All in all, the fit and feel are top notch and honestly like nothing I’ve ever experienced. The bottom line is that this chair allows me to work longer and focus better. And the Embody is definitely a step up from the Aeron and light years beyond the Freedom Chair (which I really don’t like at all) or the Mirra (which many recommended as a cheaper alternative to the Embody).

As much as I love the Embody I do have a few issues with it, none are deal breakers for me, but you should be aware of them if this chair is on your short-list. First up is the design. Yes, I ordered the orange/white which in retrospect was a mistake. It can really overwhelm the space visually. The chair is also rather large so between that and the color, it certainly is a presence in the room. I have since seen the black on black version which is much more subtle and highly recommended. Second is the mobility of the chair. In the studio I have to move around from station to station a lot and the sheer weight of the Embody makes this difficult. The thing is build like a tank which is great for durability, but it’s not a chair you’re going to be gliding around the office in. Or course, this would be less of an issue on hard surfaces, but the downstairs at the studio is carpeted and you almost have to get out of the seat to move it around. I do have the optional chrome base and I would imagine the standard plastic base is a bit lighter. Finally, at around $1100 (which is at least better than the insane introductory price of $1700 and can be much less with an industry discount, see below) it is prohibitively expensive. But as they say, “buy it nice or buy it twice”. As someone who makes a living sitting in a chair all day it’s not hard to justify spending a chunk of that living on a high quality chair. It allows me to get more work done and avoid injuries that in the past would put me out for a while making it well worth the premium.

All things considered the Embody is a huge winner in my book. It’s the most comfortable and functional chair I’ve ever used and will be in my studio for a very long time.

I am told that discounts are available on the chair through Herman Miller. I got mine direct and at the time they had a promo deal going on that brought the price down to $800 fully loaded. You might try contacting them directly to find out whether they have any promotions going on or whether you can get a designer discount.

New Animal Collective Video




httpvhd://www.youtube.com/watch?v=MGQjyGT1-mc
The Jack Kubizne directed video for Animal Collective’s “Brother Sport” came out earlier this month. The song is a favorite of mine but not since Blonde Redhead’s 23 has a video for a song I love met my expectations so I didn’t go into this one hoping for much. During the first minute or so I wasn’t sure how I felt; I’m not a huge fan of the MGMT / kids running amok / Where The Wild Things Are vibe that sort of got bludgeoned to death last year. But the song is so solid it works and the final freakout pulls it all together. All in all a nice trip. Although I think the animation would have meshed better if the live action was shot on film.

I wonder how much input the band had on this? I think I’d find it very difficult to hand over the reigns and let someone else interpret my music visually.

Video link

Surprisingly Good: Nautilus Mobia





I saw a commercial for the new Nautilus Mobia today and was pretty impressed. Considering the fact that it comes from an industry not exactly known for aesthetics, the Mobia sports some nice lines and an overall iPod-esque (the designer’s own words) vibe that’s pretty attractive. Designed by famed ID firm Frog Design, the elliptical/treadmill hybrid even scores in the interface department with a clean, no nonsense display.

Unfortunately, the Mobia branding falls flat on it’s face. Perhaps another firm designed the logo and Frog was forced to apply it to their creation, I don’t know. I do know that it just about ruins the entire experience. The logo — which appears to have been designed by a marketing team years before the unit itself and completely independent of any input from the product design team — fails to align stylistically with any of the machine’s physical characteristics. And what’s with the name? Mobia? It sounds like a new VoIP solution or some sort of dolphin harness. It doesn’t sound athletic or sleek at all. Oh well, I would still take one and just scratch off the logo. Then I really wouldn’t have to leave the studio again.

Holiday Giveaway Grand Prize Winner


It’s finally time to announce the Grand Prize Winner in the Holiday Giveaway. The Grand Prize includes the following:

· One copy of Adobe CS4 Design Premium Mac (US$1,799 Value)
· One ISO50 Studio Giclee print of Choice in 18″ wide format
· One ISO50 shirt of choice
· Tycho MP3 Collection

Drum roll please…. And the big winner is: (more…)

George Nelson Home Office Desk





I love desks by George Nelson, his Swag Leg is a favorite. I came across another great example of Nelson’s work over at Modernity, the Home Office Desk by George Nelson for Herman Miller. Absolutely perfect; I’ve always liked the idea of large desks but seeing this and the Swag Leg make me think it might be nice to have something a little more compact. And I love Modernity’s photographic style, great product shots (sorry for the small pics though, they didn’t have anything bigger). Some more can be found here.

Jelle Martens





Absolutely loving Jelle Martens’ work. Raw and inspired, I want a print. More work can be found at his flickr.

Via Matthew Lyons’ incredibly excellent Inspiration Tumblr

Quantum Golden Ratio


I’ve posted on this subject before and its implications are certainly debatable, but last week’s announcement that researchers had discovered the presence of the Golden Ratio in the quantum world had me thinking there might be more to it than anyone has yet realized.

“Researchers from the Helmholtz-Zentrum Berlin für Materialien und Energie (HZB), in cooperation with colleagues from Oxford and Bristol Universities, as well as the Rutherford Appleton Laboratory, UK, have for the first time observed a nanoscale symmetry hidden in solid state matter. They have measured the signatures of a symmetry showing the same attributes as the golden ratio famous from art and architecture.”

Dr. Radu Coldea — the principal author of the paper — describes how the ratio was observed in magnetically linked chains of atoms: “Here the tension comes from the interaction between spins causing them to magnetically resonate. For these interactions we found a series (scale) of resonant notes: The first two notes show a perfect relationship with each other. Their frequencies (pitch) are in the ratio of 1.618…, which is the golden ratio famous from art and architecture.”

Pretty amazing to think that something we seem to have an innate appreciation for and which occurs on such a comparatively massive scale can also be observed in the smallest components of our world.

Image via Minarai

Vintage Ski Ads Pt.2: Skis








In part 2 of the Vintage Ski Ads Series I chose some that focused in on the skis themselves. When I see skis these days they either look like pop culture threw up all over them or they were designed by the same guy who makes the info graphics at the bottom of the ESPN screen. Looking at the examples above it’s plain to see they had a little more appreciation for subtlety and a sense for classic design back in the day. Either that or the printing methods were such that they were limited to simple shapes and colors and the designer in me is just picking up on that.

When I think about it, this could be the case with a lot of older stuff. I think we as designers often appreciate unintended aesthetic elements; things that were a function of necessity or limitation rather than deliberate design decisions. A good example would be vintage audio equipment. I think the Neve Sidecar is one of the most beautiful inanimate objects ever created. But when you really look at it you realize it was designed by engineers; pretty much every design decision was dictated by necessity and function. So I must be reinterpreting that as physical beauty creating a connection between the idea of an object’s functionality and it’s aesthetic beauty. In other words, maybe I only like how it looks because I appreciate how it works (or in this case, sounds). Then again, I have some gear around the studio that I love the sound and functionality of but is just downright ugly to look at.

Anyways, all those Rossi’s are incredible. This whole style needs to make a comeback, but it seems these days people need to be beaten over the head with design instead of left to appreciate its finer points on their own. I’m not saying there’s not a place for busy, crazy graphics on skis — I myself have designed several busy, crazy skis — I just wish there were more like these to choose from. I guess it’s a different industry, no longer do guys in mock turtlenecks with comb-overs get all scientific and wear collared dress shirts while developing new skis in the lab, now it’s just this guy and a Nintendo DS in a dark room.

Parrot ARDrone




httpvh://www.youtube.com/watch?v=V3KrFV0-WFw
I know this falls a little outside the normal scope of this blog but it’s Friday and this was too good to pass up. The Parrot ARDrone is being billed as the “First iPhone-Controlled Quadricopter Drone”. There’s no need to go much further than that for me, but add a camera to the helicopter and camera-view mode to the iPhone and I’m sold. The most amazing part of it all is the craft’s ability to right itself automatically using it’s built-in array of sensors (not to mention the potential for augmented reality applications given the manufacturer’s third-party development scheme) . It’s not out yet — the site says “coming in 2010” — and no word on pricing but I can’t imagine it will be very cheap. I think I’d be willing to splurge on something like this as long as it was cheaper than the iPhone itself. For more info check out this hands-on test of the ARDrone.

While the Quadricopter and it’s iPhone interfacing abilities are pretty incredible, I wish they had made an airplane version (although not sure the WiFi range would be sufficient for that), small R/C helicopters seem like they’re mostly for bothering dogs and tooling around your living room, not really as suited toward outdoor flight as the video suggests. When I worked at BKWLD with Dusty we got a couple of R/C planes and would fly them at lunch in the open spaces of Roseville. I loved those things, I don’t know why but R/C never seems to get old, I think I was about as excited every time I took that thing out as I was the first time I got an R/C car for Christmas. Since I moved to San Francisco I haven’t been using it; I think it’s in a closet somewhere. I bet the batteries are shot but I might get some new ones and take it for a spin at the park this weekend.

Video Link | Parrot ARDrone Site

Tycho Live: Sacto Electronica Music Fest


I’m very pleased to announce that I’ll be playing at this year’s Sacramento Electronica Music Festival. I’m shouldn’t really be playing shows right now as the album’s due date is rapidly approaching, but I can never pass up an opportunity to play a show in my home town. There are lots of great names on the bill including Dusty Brown, who I’ll be playing some songs with. All in all it’s shaping up to be quite an experience: three days of great music for $10, I’m pretty sure you can’t beat that. And if you’re from the bay area, try to make the drive, it’s only 90 minutes and as you’ll see there’s something about live shows in Sacramento you don’t often get out here.

And for those who know their Sacramento electronic music history, you might notice that this is a partial Command Collective reunion of sorts. With the exception of Chachi Jones, all the original members will be playing during the festival: Dusty Brown, Tha Fruitbat, Lifeliner (aka Park Avenue), and myself.

Tycho: Saturday, Jan. 30th, 2010 – 11:30 PM
Festival: January 28, 2010 9:00 PM – Jan. 31, 2010 2:00 AM

Townhouse Lounge
1517 21st Street
Sacramento, CA

Price $10.00
21+ (sorry!)

More Info | Buy Tickets