Posts by Scott

Alphanumeric has a great set of Otl Aicher work including these artifacts from the 1972 Munich Olympics. As much as I love the posters from Munich, there’s something about the official stuff (tickets, badges, etc.) that might be even more fun to look at. I love how they combine form with function and you can never go wrong with serial numbers. It’s amazing to think that people defiled that beautiful luggage tag with their names and addresses. I guess that’s what makes these all the more interesting, the fact that most were destroyed by being used for their intended purpose.

I can’t say I’m in love with Swisscom’s new logo by itself, but I will say that the overall rebrand feels right as a whole. The type treatment is solid and the logo — although downright ugly standing still — lends itself well to motion and reinterpretation on packaging. The rebrand was headed up by Moving Brands (apparently with help from Dalton Maag).

I’m not trying to diminish what Moving Brands has done — they know way more than I’ll ever know about brands and how people perceive them, and hell, for all I know this is the best logo ever made and it’s singlehandedly going to increase Swisscom’s annual revenue by 1600% — but seeing a room full of designers standing around an idea board like that and thinking about the hours and weeks and months and millions of dollars that go into a project like this… Well, I sometimes wonder why these big corporations don’t just surf Behance for like and hour or something, find the kid with the best logos, throw him like $50K (which will completely blow his mind and make him your slave basically) and give him like 6 months. I bet he comes up with something just about as good and you saved like $20 million or whatever the hell they pay huge agencies these days. Ok, that’s probably all a bit of a stretch, but it does cross my mind, and if I become CEO of a european telecom giant you better believe I’m at least going to look into the idea. Actually, Moving Brands should have just done the same thing and pocketed the difference, all those guys would be doing burnouts in Ferraris wearing whale skin jackets now instead of standing around a chalkboard.

All that aside, what’s amazing to me is that these companies had the presence of mind and resources to film the process. I can’t imagine what it must have been like for the poor designers over at Moving Brands having some guy with a camera always looking over their shoulder, sounds like a nightmare to me. Of course, a lot of this could have been compiled after the fact, but it’s still an interesting look inside the process of high level design shops. I’ve always wanted to do something similar for one of my posters — capture it from start to finish — but I’m convinced that the second I started the camera I would make the worst thing ever and as hard I tried I would never actually catch anything good happening. Maybe that would be more fun, the time-lapse frustrated designer movie. Video Link

More details and pictures over at Brand New

Via LogoDesignLove

Ghostly 10 Year Chicago 8/21/09 - Purchase poster at studio.iso50.com

Buy tickets online | More info @ Ghostly | Purchase Poster

Details:

GHOSTLY 10 YEAR ANNIVERSARY: CHICAGO
The Empty Bottle
1035 N Western Ave
Chicago, IL United States
View Map

Live Performances by:
* Tycho / ISO50
* Kill Memory Crash
* Solvent
* Dark Party
* Mike Servito

August 21, 2009
9 PM 21
$15 ADV / $20 Door

Jackson presents The Ghostly 10-Year in Chicago

As Ghostly International hits the 10-year mark, we’re throwing a series of pretty-big-deal parties in select location across the globe. Having torn the roofs off Los Angeles, San Francisco, Detroit, Miami’s Winter Music Conference, and Detroit’s Movement festival, we now aim our music cannons at Chicago. The evening’s bill includes music/design phenomenon Tycho, melodic electro legend Solvent, local industrial legends Kill Memory Crash, and Eliot Lipp’s Dark Party. A DJ set from Mike Servito rounds out a night of truly outstanding music.

Those who have been following along will know that we’ve been talking about doing a color management guide for a while now. Well, it’s finally done and should go up early tomorrow morning. I’ve always been annoyed that there really aren’t any consolidated, plain-english resources out there for getting your head around color management so after talking with Alex, we thought it was time to put our own together. Over the past couple years I’ve begun to focus more and more on proper color management in my workflow and with the recent addition of the Epson 9900 it’s become even more important. After Alex and I worked through the the process of getting the 9900 online I figured it was finally time to put all that we had learned into a post as a reference point for others who are struggling with maintaining color integrity in their work.

We put this guide together because whether you are designing for print or web, it is important to have a good understanding of color management to ensure that your image looks the way you intended it once it leaves the confines of your computer. After considering the many factors that go into this process, Alex has written a comprehensive guide to color managing your documents from concept to finished product. We certainly aren’t billing this as the definitive manual for color management; it’s intended to be a working guide, a condensed set of essentials based on our own experiences working with various printing companies and our own equipment over the years. To help with the finer points, we enlisted color expert Kirk Economos of Meridian Cyber who has helped edit the guide to make sure everything is correct and in line with accepted industry practice.

So stay tuned, you should see the guide pop up here shortly.

Ya heard 'bout me?!

I just wanted to say thanks to Adobe for having me and to everyone for checking out the articles this week. I had a great time writing for Inspire, be sure to keep an eye out next week for guest blogger Joshua Davis.

And now for a few selections that didn’t make the Inspire post:

In my fourth post for Adobe Inspire I cover the master of retro-lofi photography, Neil Krug. Read the full article here.

This is part of a guest blogging series: Part 1, Part 2, Part 3.

My latest post at Adobe’s Inspire Blog (where I’m guest blogging this week) is up. I focused on Photographer/Director Timothy Saccenti, who’s work you might recognize from some past posts.

Read the full article at Adobe Inspire

As I mentioned earlier, I’m guest blogging over at Adobe’s Inspire Blog this week. Today I talked about the work and process of one of my favorite photographers, Kalle Gustafsson. Read the entire article at Adobe Inspire

By the way, Kalle has a great new portfolio up with loads of new work to look at. You can check it out at www.kallegustafsson.com

I’ll be guest blogging over at Inspire — Adobe’s Experience Design blog — this week. The Experience Design Team (XD for short) is an internal group at Adobe who develop applications and interfaces, you’ve seen their work in the form of the Photoshop CS4 and Lightroom interfaces. This months Inspire is focused on photography so I’ll be pointing out the photographers that inspire me and also talking about the roles photography plays in my own work. I posted up a short introduction today with more to come throughout the week. Check it out here.

httpvhd://www.youtube.com/watch?v=fFDcaTI0cl8

This is the second trailer (check out the first one here) for the upcoming Spike Jonze-directed film “Where The Wild Things Are”. Can’t wait to see this.

Watch in HD on YouTube