Posts by Jakub

Turntablism meets BMX



Only maybe 2 people on this whole blog could probably do this successfully and know their records while nailing tricks but it would be a great time just fooling around with it. What i’m more interested in is ambient type music with this and adding delay and reverb.

via DjTechTools

Guest Music Post: Com Truise



In early May Datassette will hit us with ‘People Without Mouths.’ The 12″ EP will be available on Shipwrec records and the digital version will follow two weeks after with bonus tracks and a a remix by Ilkae. He was kind enough to share the track ‘Don’t’ with us, and it’s a smooth, tingly gem of a track. Sprinkled with vocal stabs and bent percussion. Really stoked on this EP, head over to datassette.net for plenty of other goodies.

On my recent visit to Austin, TX I was lucky enough to catch Missions perform a set. He was surrounded by vintage equipment, a control center shrouded in synth. ‘Darrk/Blakk’ is the A-Side of his upcoming 7″ via Pau Wau Records. It sounds as what I assume an early 80s’ Depech Mode demo would sound like via a walkman running dangerously low on batteries. Haunting vocals seem to sit between towering walls of synthetic goo slowly dripping into your ears. Looking forward to more from Missions.

‘Don’t Open The Door’ from VHS Head was released on a Benefit Compilation for Japan on ICASEA. Contained within is the signature VHS Head sound. He is the master in mining the depths of pre-certification video. ‘Don’t Open The Door’ is a droopy eyed jam, it brings to mind the river of pink slime in Ghostbusters II, and what I might be like to slowly sink into that warm, murky mess. Quality track.

Innergaze just dropped their second LP ‘Mutual Dreaming‘ on Cititrax. Hailing from Brooklyn, this synth wielding duo pants a perfect picture of early dance music. ‘Is This Your Love?’ really had me floored upon first listen. It’s a slightly grey journey inward, highlighted by glittering arpeggios and synthetic stings. Topped off with vocal stabs that seem to pull you in and press you back out. ‘Mutual Dreaming’ will get some heavy rotation from me.

Music Provided By: Com Truise

OFFF Poster Submission: Duane Dalton





I noticed OFFF in Barcelona is coming up next month because of Duane Dalton recent post on his Cargo Collective. We really enjoy his work, we’ll have more from him next month. Anyone headed to OFFF this year? The schedule looks great, just went thru some of their portfolios.

OFFF Festival Homepage

Guest Music Post: Beacon



If you saw Tycho on tour last time in the US you saw our ambient R&B support Jacob & Tom of Beacon, I asked them to put together today’s playlist, would love some feedback, their No Body EP is out, they DJ tomorrow with Yeasayers at Cameo Gallery

Keyboard Kid$$$$$$
Producers without their counterparts have been dominating my speaker time lately. $$$$$$ off Keyboard Kids 2011 Video Games and Blunts mixtape is a stellar track full of his signature futuristic synths and dirt filled percussion. The chopped and pitched repetitive hook always seems to swell around in my head long after it finishes.

FilterwolfNocturne (Bodycode aka Portable remix)
I’ve been listening to so much Alan Abrahams AKA Portable AKA Bodycode lately. I love the way his baritone vocal harmonies in this remix become the warmest incantations, summoning love from some wandering spirit.

AyatohollaNAG Champa
This throwback keeps making it into my steady rotation. NAG Champa , the opening track off of Ayatoholla’s 2006 Now Playing, drops all the right sounds in all the right places. Its one of those loops I want to listen to for hours. With a perfect blend of soulful vocal samples, smooth drum work and swells of melodic strings its an example of a producer who gives only what is needed.

Blood OrangeChampagne Coast
The really special thing about this Blood Orange song is the way the slow funk groove in the beginning eventually opens into very triumphant love song of Koto patterns, warm synths and Devonte’s insistent vocal finish.

Instagram Photo Favorites: 14th Edition


alemor73 – Alejandro might be known more for this architecture snapshots but I go back for his color schemes and attention to geometric details.


r3mus – What I like about his photos is that he doesn’t life in a fancy natural environment but he always gets great nature shots. Also, I never get sick of these kind of shots especially when they’re done right.


saraswebb – Sara does great with a fantasy world, its never too Lisa Frank-ish or too trendy, rides this thin line that just always keeps you interested and coming back to her feed.

Throwing Snow + Mark E + Kyson + Mohn



I’m at Percussion Lab right now, they stream a radio station ( tune in now ) out of Brooklyn, NY every Monday night run by Praveen( Sepalcure, Braille, Praveen & Benoit ) who is no stranger to the blog since we started. This weekend they will be putting on a show for Unsound Festival which is featuring 2562, Sepalcure, Throwing Snow, and many more, here’s more info on the event if you’re interested it’s called Bass Mutations. This track by Throwing Snow is one of the only ones I could find that I loved that I heard Praveen play on the show, hopefully he’ll have some of this unreleased stuff out soon.

Last night I had a going away party because i’m moving across the country to the Bay Area, We had Praveen play a live Braille set, Sarah from Phantogram debuted her first DJ set, Beacon threw down their best DJ set i’ve ever heard and Sam Valenti IV and his lady Moderna closed out the night, Shaun White was even there, really funny guy, well anyway they threw down this huge slow jam from Mark E, its the Space Dub version, absolutely murdered my face off on the dance floor.

Kyson is a new signing on Moodgadget, one thing I love about him is that he does just a bunch of bootleg remixes on his spare time, my favorite has to be his Washed Out one, it just kind of flutters in this one area and dissolves nicely. His EP Patience is out on May 1st, definitely worth a listen.

The owners of one of my favorite labels of all time are back at it in the studio under the name Mohn. The delicate builds these two have made over the years are mind boggling, if you want more pick up their Burger/Ink material.

Propellerheads unveils Music Making App





Swedish software firm Propellerhead (the makers of Reason) put together not only a simple eye appealing music making app but one that has controls that will have you making music in just a few minutes.

The great part about this music app is the sounds aren’t wacky, thin or robotic, if you’re a Reason user like myself since v2.0 then this will make you smile from ear to ear especially at the $.99 price tag.

They have a thorough overview on their site and the solid video above for new fans. Definitely haven’t been this happy about a music app since Animoog.

“I think we as an industry haven’t been that great about inviting people in who don’t have deep dreams about becoming big stars or understanding everything about music production, it’s time for that: I think everyone should be invited to be part of this. Figure is a small step towards that.” – says chief executive Ernst Nathorst Böös.

– via Guardian UK

Propellerhead’s Figure now available on the iPhone

Cole Rise Interview / Playlist


Name: Cole Rise.
Current City: San Francisco, CA
Website: coleri.se
Instagram: @colerise
Pets: A piano named Eleanor. I feed her and she makes music.
Dream vehicle: Piper Super Cub with Tundra tires (it’s a bush plane)

ISO50: Tell me about your first memory?

Cole: The first thing I remember is an insect in my bed. Maybe it was a millipede? It’s not like the house was gross or anything… we were in a wooded area so i think it was just lost. We moved out of that house when i turned 2, so I must have been about one and half years old, as crazy early as that sounds. I remember waking up and being rather startled by it, but not having the words to express it. I wasn’t the most verbose one and a half year old. I probably just stared, wide-eyed. I vaguely remember mom coming in a few minutes later, but by then it had crawled out of sight. I hope it found it’s way.

ISO50: I see that you’re a pilot, do you ever let go of the wheel and get a photo off like some of the instagram car drivers I see sometimes on the road?

Cole: Oh sure… but within reason. It’s not as dangerous as you might think. When you’re learning to fly, they teach you to scan your horizon every few minutes, so you’re always aware of where you are, who and what’s around, and what’s ahead. Plus most planes have auto-pilot, which is basically 3-dimensional cruise control. With little air traffic, it’s reasonably safe to snap a photo or two. On the other hand, I recently tried it while hang gliding and almost dropped the phone from 800 feet. I’d say that was more dangerous.

ISO50: Can you list off a 4 song playlist of what you listen to while you’re tinkering with a photo?

Cole: In no particular order, i give you…

“Aegina Airlines” by The Dead Texan
“Indian Summer” by Jónsi & Alex
“Don’t Worry” by Zoe Keating
“Foreground” by Grizzly Bear (Note: this song works in all regions of a photo.)

Tycho, of course, goes without saying.

ISO50: If there could be a new filter added on instagram describe it the best you can:

Cole: If you combine Inkwell (the current b&w filter) with say, the soft tones of Sierra, it produces some lovely results. I think there may be something to that.

ISO50: Do you find there being pressure of getting a certain kind of shot to post on instagram? Do you ever hesitate to post?

Cole: Sure i’d say there’s an incentive to keep it interesting and meaningful, so you tend to become more selective with what you post. I definitely feel some pressure to keep traveling, to keep it consistent with the landscapes that i usually post. Twist my arm. As for hesitation, once in a while i’ll think twice about posting some the crazy experimental stuff. I have fun trying to push the medium in new & weird ways, and then sharing the process so everyone take part and push it further. Take for instance, shooting through a sweater stretched over the lens. Sometimes you have to look at the photo, turn your head to one side and ask yourself “… really?” So, you share what works, and you bury the rest. Like an iceberg, most people only see the little bit that’s above water.

ISO50: I’m moving to SF next week, can you list your favorite bar, venue, restaurant, and a place to relax at?

Cole: On a Thursday night when it’s not too crowded, grab a couple of friends for drinks in an old pirate ship themed bar called Smuggler’s Cove in Hayes Valley. There’s even a flaming skull drink! Nuff said. Then, when you’re good and toasty, mozy on down the block to Absinthe for one of the best burgers in the city. While you’re there, have them bring over the St. George absinthe, the only variety any sane person should bother to try. You’ll be feeling pretty good at this point, and maybe a bit full, but i promise you won’t care. When it’s time, sign your check and stroll a few blocks further to the more relaxed appeal of Hotel Biron, for a glass of wine you’ll in the short term love & then soon regret as you wait for your Uber cab before crawling into bed.

ISO50: What do you think about the popular page on instagram? What would you change about it to make it something you’d visit more frequent?

Cole: It’s very honest and very human. Algorithmically, it’s doing some really smart things to bring you photos that are getting a lot of attention. Attention, however doesn’t guarantee that every photo will be amazing, so that’s where i think the honesty comes in. Right now, the popular page is a perfect snapshot of what’s on people’s minds at a given point in time. It’s Freud meets Ansel Adams, with some teenage angst and a few cute puppies thrown in. I love it for what it is, but as with anything, it’ll evolve. Down the line I would love to see it become more curated, or influenced by more tastemakers on Instagram. Imagine giving more weight to a photo if it’s liked by other influential users who have had a few of their own photos featured on the popular page. An “artists supporting upcoming artists” metric.

ISO50: If you weren’t working on photography or being a pilot what would you be doing for a living?

Cole: Well, I have a web company called Particle that pays the bills, but that aside, i’d probably sell tripods or hang gliders online and travel. Build a water well for a community that needs it. Maybe grow some rice.

ISO50: What are your feelings on Facebook buying Instagram? Any updates that what would make you sad to see added?

Cole: I think from the beginning it was obvious that the app was going to be huge. Even before they launched, the hundred or so beta testers were using the app all day everyday. It was exactly what was missing, and i’m damn thrilled to see it make its mark in history. Their team and inner culture is incredible, so i have faith in the people and the smarts they bring behind scenes. I can’t really imagine them adding a feature that wasn’t great or without the user in mind. I’m actually looking forward to the much needed updates to Facebook that Instagram will bring.

Instagram Photo Favorites: 13th Edition


5a5a5a – The colors of this feed are perfect when it comes to bright colors, never too simple and never overwhelming, such good balance.


debbs – With all the minimal architecture shots going on, I often find myself looking for photographers that photograph people well but not in a personal way, debbs does a great job of capturing people without relying on their style to make it a popular shot.


_willett_willett has under a 100 photos under his belt, his hazy work is my favorite.

CertainCreatures+Streets+D’eon+KingFelix



Certain Creatures is an Ex-Warm Ghost member, the direction with the new project seems to be more hypnotic and if you listen to the blog you know I love hypnotic, reminds me a lot of Cloudland Canyon.

I’ve spent a little more time recently re-enjoying listening to the early Streets records again. Then this gem popped up, youngin’ King Krule does a solid rework that keeps the feeling of what I think people love about the emotional Streets tracks.

This is the only D’eon song I have and for the style of music he makes I can’t imagine it getting better than this. Is it wrong to just keep this as the only D’eon song I own ever and think of him as this talented distant cousin of Dam Funk that only released one song?

Laurel Halo coming in with a new alias that continues the quality where Hour Logic left off, waiting on that album.