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As part of Saturday’s Record Store Day festivities, Warp released a solitary 12″ credited to the pair through NY record shop Other Music. The disc features a short clip of a woozy none-more-BoC piece, plus a vocodered voice reading out the numbers “9-3-6-5-5-7″. It appears the record may be one in a series of jigsaw pieces: the record is credited as “—— / —— / —— / XXXXXX / —— / ——” , and features dead space on either side of the clip, implying a fill-in-the-gaps approach.

We obviously approached the story with the requisite skepticism, but Pitchfork now claim they have had direct confirmation that the record is legit. An Other Music employee, Mikey IQ Jones, has also got in touch directly with FACT. According to Jones: “It’s real. We were given a copy to secretly place in the racks at Other Music; we’re really psyched that it was found by a big fan!”

– FACT

So the vinyl is legit, now its time to figure out what the numbers mean. I have to hand it to Warp Records and BoC, this brought back the young fan in a lot of people that might have written them off. Its funny how hardcore music fans that treat music really seriously can trash talk and the less serious more carefree listener is just geeked and ready to spend their weekend trying to decode the exciting mystery that is there.

I personally think the 6 spaces each stand for a letter and then will be converted to ASCII to text and its not going to spell out SUMMER but the album title. Any thoughts from you guys?

Quality sources with info:
2020k

FACTmag

UPDATE – VINYL 2:

Photographer Paul McDonough spent time during his summers in the 70’s and 80’s travelling across America and captured some wonderfully nostalgic images. Sasha Wolf Gallery is having an exhibition of the work entitled Sight Seeing through May 5th, 2013.

More Info

Soo many beautiful announcements happened for Jacob and Thomas from Beacon, first off they just announced the preorder of their debut LP along with a sugar based sculpted record holder limited to only 20 pieces. Before that they shared a new mix and some spring tour dates, all of it is here in one place along with the process video of the making of the art edition record frame.

About the artist:

Fernando Mastrangelo has exhibited nationally and internationally for the last decade. Mastrangelo uses materials such as sugar, coffee, corn, gunpowder, human cremated ash, and other more controversial substances. He often addresses social, cultural, and political issues with unconventional timely works. His works are included in numerous private collections around the world, as well as the Brooklyn Museum of Art, where you can currently see his 2008 sculpture “Avarice,” a rendition of the Aztec calendar cast entirely from White Mexican Corn.

Order Art edition (ltd to 20)
Pre-release Vinyl/CD

Deluxe Art Edition Details:
Edition of 20 + 3 APs
Includes signed and numbered certificate
Dimensions: 13″ x 13″ x 2″
Weight: 10 lbs
Materials: Sugar, Epoxy
Limited dusty rose vinyl + download card included

Lukid – Snow Theme
Tornado Wallace – Always Twirling
Bambounou – Challenger
Tiger & Woods – T&W Lab File #07
Unknown Artist – What You Need (Coat of Arms Remix)
Marcus Mixx – Special Creme (Rub It Mixx)
S.K.A.M. – Outside The Box (Homework Perspective)
Shams – Wasted

The Los Angeles Times recently revisited their ‘L.A. 2013’ cover story from April 3, 1988 by making a PDF of the story available for download.

One of the ‘futurists and experts’ they spoke to for the story was the legendary Syd Mead, whose drawings accompanied the piece.

Lots of bold predictions of course, like your usual 200 story ‘mega rises’ and a sports utility vehicle that can adapt from a 2 seat sports car into a beach buggy via a ‘plug-in module.’

But the one that stuck with me gets dropped right in the first paragraph: “about a third of the residents have already headed out to their jobs, as required by Los Angeles County’s mandatory staggered work plan.”

YES PLEASE.

As an LA resident who had a horrible run-in with the 405 yesterday, I’m all for it. Make it so.

Side note: Tesla’s Elon Musk suggests we double deck the 405… thoughts?

Scott and I did a mix for Herschel Supply’s Selected Sounds series. The tracks came together pretty naturally, some of our favorite artists to just tracks that help slow you down and enjoy the some tunes. Also, I did a short interview answer on how I find all the music I post on the blog here.

TRACKLIST

Seahawks – Crystal Beach
Toro Y Moi – Rose Quartz
Session Victim – Dark Sienna
The Holydrug Couple – Paisley
Onra & Quetzal – C’est Pour Toi
Eliot Lipp – The Rabbit
Nitemoves – Veaquis
High Places – Papaya Year
Youth Lagoon – Dropla
Ame – Erkki (Hannes Bieger remix)
Ashra – Midnight On Mars
Bullion – Synth Grub

via Herschel Supply

What a perfect surprise from Bibio, listening to him form his sound over the years puts a smile on my face, so true and upbeat this one came out to be.

There is no surprise Chaz nailed the soulful end of the dance 12″ world, his Les Sins project is coming out wonderfully, reminds me of Osborne on Spectral Sound.

Baths is back with emotional bleeps, its like a IDM producer from 2002 is came back in 2013 with some vocal confidence.

Matthew Dear guests on the new DJ Koze album, Koze always mental pushes the boundaries and you can count on hearing something hypnotic and unusual joining hands.

With such stark contrast between the subtleties of the salt and the void created by cloth, at first blush, you’d think these were illustrations or oil paintings. Meet Shanghai artist / photographer Bence Bakonyi. There’s something so clever in how he twists your sense of medium & scale. Find more of his work on Behance.

With my love for trees and my love for prints I think Bryan Nash Gill’s Woodcuts are the perfect marriage. I love the complete organic nature of his prints. Be sure and check out the video as well, as it shows some of his process.

UK illustrator Neil Stevens a.k.a. crayonefire designed these beautiful prints inspired by vintage flight and baggage tags.

Also, check out his great set of cassette tribute prints titled Don’t Forget the Cassette, that Owen and I are drooling over.

The Sheats Goldstein house might be the most frequently photographed piece of property in LA (if you haven’t seen it on innumerable blogs like Curbed, or from the video walk through Charles posted awhile ago, you probably remember it from The Big Lebowski)—so obviously, I jumped at the chance to take a tour of the iconic house with architect Duncan Nicholson, who has been restoring and adding to the property since the ’90s. And as much as I tried to restrain my trigger finger, I took a ridiculous amount of photos to add to the home’s documentation—apologies for the seemingly endless scroll above.

Obviously, it’s an amazing house—but I’m most interested in its evolution through the ages. James Goldstein purchased the house in 1972, and then re-hired John Lautner to improve upon the house (and undo some questionable renovations)—the torch was passed to Nicholson, who has been carrying on the work to date.

Duncan started working for Lautner in 1989, and one of his first projects at the firm was to collaborate with James Turrell on his ‘Skyspace’ for the property. The corresponding concrete decks and walkways he designed that connect the house to the Skyspace take you on a near surreal procession through the rain forest-like gardens on the property.

He was also the project architect on the living room installation and designed most of the furniture, some of which was of course immortalized on film when The Dude sat there drinking his laced White Russian.

The plans for the most ambitious phase of the project, including a guest house, tennis court, nightclub and terrace, were shelved for almost 10 years after Lautner passed in 1994. Work on the project resumed in 2003 and has been ongoing ever since. Currently under construction is the nightclub that lives beneath what is arguably the most stunning tennis court in existence. All components of the addition make use of poured-in-place concrete, staying true to Lautner’s original aesthetic, one that somehow manages to make concrete feel warm and organic.

Thanks to David John for the introduction and many facts via his You Have Been Here Sometime interview with Duncan Nicholson.