Posts in Photography

After nearly two years of living mostly out of my car and spending every penny to my name I am proud to finally announce that my new portfolio is complete (for now). When I first came up with the idea to create a new portfolio, I had no idea that it would be such an intense undertaking and that it would take this long. I also never expected myself to create 62 entirely new projects for this new portfolio. You’ll notice that there’s no longer anymore portraits under this website name. I created an entirely separate portrait website which is linked through this one.

I hope you all enjoy the new imagery and stories and I’m incredibly thankful for everyone who supports my work. I’m at a loss for words right now because I feel like I’m watching my first born kid drive off to college.

If anyone has any questions or comments or if I happened to have missed something (hopefully I didn’t…) I’d love to hear back from you in the comments or reach out to me via my contact page.

Without further adieu…

http://www.navisphotography.com

Nicola Odemann has put together another amazing 35mm film set from her recent trip to Iceland. I first found Nicola’s work through her Cargo Collective site about a few years ago, but just now realized she’s also picked-up an Instagram account. Always loved her use of 35mm film, and I love the story about the camera coming from her father. Definitely follow her, as I suspect much more amazing beauty and inspiration from Nicola in the future @wildsommer

Want more? Here’s some interviews with Nicola and collections of her outstanding work:

http://cargocollective.com/Montagne/Nicola-Odemann
http://abirdfliesby.blogspot.ch/2012/08/nicola-odemann.html
http://www.frankie.com.au/blogs/photography/nicola-odemann-photography-interview

Posted By: Owen

Aerial photos of the beach by Antoine Rose. Go find a beach this weekend, I’ll be in LA.

Photos by 22 year old photographer from Montreal, Canada, Sean Mundy

EVENT INFO:
Lot 21 Gallery
933 20th St, San Francisco, California 94107
Thursday, May 22at 6:00pm – 9:00pm

We’ve been huge fans of Reuben Wu since the beginning years of the blog so we wanted to share this weeks SF gallery show with the readers. Info is above, i’m very jealous since i’ll be on the East Coast.

Somewhere between 1970s concept album art, expeditionary imagery, and Surrealist painting is where Reuben Wu’s photographs steadfastly sit. His are pictures made in the real world, however, through collapsing time and merging processes, the real is transformed into the surreal, evoking a response simultaneously familiar and foreign. The photographs amplify the strangeness of place and speak to Wu’s individual experience within it.

The remnants of his processes –chemicals dragged arduously across the sensitized paper surface, infrared film shifting the world’s natural hues, light leaking into the camera and hitting the film plane —leave traces of their varied journeys embedded in the final image. Wu’s physical journey is a similar one; he treks with cameras in tow to places that, for most of us, are left to those who fall into the category of “explorer”. Considering the lengths he travels to make his photographs, the unpredictability of Wu’s materials is not exactly what we’d deem trustworthy. The resultant images delineate from the expected photographic trajectory and provide a mode of looking that is equally experiential and aesthetically unique.

Reuben Wu (b. 1975) is a photographer and musician currently living in Chicago, Illinois. He received his MSc in 1998 from the University of Liverpool.

Luigi Ghirri (1943 – 1992) was an Italian photographer and writer who pioneered colour photography in the vein of conceptual and contemporary art. Although he was recognized and exhibited extensively while alive, full appreciation for his work has occurred posthumously. You can read a more extensive bio and view more of his images here and here.

I find his work appealing primarily because of the nostalgic colours of Kodachrome film, but also for his compositions. He definitely had a certain wit about him, as well as an ability to see and capture moments that others might otherwise miss. As one article states, “…His pictures are not acts of mimesis or replication but ways of exploring reality. They are investigations of the unknown and examine the spiritual and the immaterial world. Photography for Ghirri was a form of poetry and a means of communication; it was a mental habitat where boundaries and territories intersect and fluctuate…”

Posted by: Owen

Behold the aerialscapes of young German photographer, Jakob Wagner. I love the consistency of Wagner’s editing style and color pallets — he does a fantastic job of enhancing textures and shadow details while still keeping the photographs looking clean and natural. It goes without saying, but the locations he’s captured are also truly outstanding.

I highly recommend you check out his portfolio for more of this visual candy.

Posted by: Owen

When I first scrolled through these photos from Jean de Pomereu I thought they hadn’t loaded yet until I looked closer.

The series ‘Sans Nom’ (Nameless) was taken in the Pridz Bay Region of East Antarctica between 1 am and 4 am, when the air was completely still, and a thin mist descended upon a group of icebergs locked into the winter sea ice. The white landscape blends with its foggy surroundings so that you can almost not tell where the iceberg starts and the sky ends.

Most of the shots are of Laura Thornhill but i’m loving these knee pads and helmets almost as much of action shots and the girls.

You may remember seeing the first Lytro light field camera here on the blog back in 2011. If its unconventional box-like shape wasn’t enough to catch your eye, the astounding technology that enabled photographers to adjust the focal point of the image after it had already been captured surely would have. Check out an example below, you can click to change the focal point and scroll to zoom in and out. There are more samples on Lytro’s Gallery page.

Well, now Lytro is back with the next evolution of the light field camera: the Lytro Illum. Physically, it appears much more in-line with traditional point-and-shoot cameras than its radical predecessor, with an angled display screen that gives the profile of the camera big points on both character factor and, I’d imagine, ergonomics. I’ve also read in some hands-on reviews that it feels remarkably light, weighing in at less than two pounds…yes, that lens that looks like a cumbersome beast apparently weights only half a pound.

As pretty as the Illum is on the outside, it isn’t until you take a look at what’s inside that you can get a sense for how revolutionary this camera really is. The Illum uses a patented micro-lens array that captures data about color, light direction and intensity, storing this data for later use. This is the key difference between light field cameras and other cameras, which generally don’t give you much control over the photo once it’s been taken. A special Lytro button enables a helpful UI overlay that outlines the contours of objects in the shot, giving a sense of depth and a preview of how the image’s focus will be able to be adjusted by its viewers.