Posts in Record Covers

It always surprises me how few people have heard of the German musician Ulrich Schnauss.  He’s one of my favorite electronic producers but whenever I mention him (to people I consider to be knowledgeable about music) they usually just shrug and ask who he is. I saw him open for M83 in San Francisco a few years back, it was pretty intense, but he just sort of pounded away on a Siel synthesizer the whole time, no visuals or anything. Was cool to see it live, but the stage presence was a little disappointing; I guess I was expecting a singer or something (he always has those sort of ethereal vocals woven through his mixes). At any rate, I’d have to say that A Strangely Isolated Place is his best album to date, and while it’s hard to pick a favorite track from such a solid release, this song certainly ranks up there.

Ulrich Schnauss – In All The Wrong Places

Amy Stoddard sent in this amazing archive of vintage Blue Note album covers. Lot’s of great inspiration all over this page, be sure to hit the "Next" button, it just keeps going and going, almost too many to take in at once. Visit the archive here.

Since August 2006, i’ve been widdling away at one proper electronic compilation follow up to The Rorschach Suite. I wanted a release that was jam-packed full of diverse electronically made music so that people that we’re new to electronic music wouldn’t be scared off by experimentation or the dance end but mostly getting pulled in by a deal(20 tracks/80 mins of new music for cheap) and most importantly short melodic songs that make you wanna play the song again.

Today The Synchronicity Suite came out on iTunes (and got alil love under the What’s Hot section) and Ghostly International and Moodgadget wanted to exclusively share 5 songs from the compilation with the ISO50/Tycho crowd. I also wanted to point out that the artwork was done by PhilistineDSGN and mastering by Adam Hunt, gotta always give credit where credit is due.

Small Sails – Somnambulist

The Reflecting Skin – Cavedweller (instrumental version)

Praveen – Slip Slop

Elm From Arm – Pretty Take

Mux Mool – 10

One of the most influential electronic labels since i started working in the industry has been Kompakt out of Cologne, Germany. Its owned by a favorite musician of mine Wolfgang Voigt aka Gas, who has some of the most unbelievable ambient records on Mille Plateaux in the mid 90’s. 1,2,3, No Gravity was always a great vinyl to throw on during the beginning of a dj set just because it had this feel to it that everybody might actually know it or wanna know it once the distant vocal came in. Also, The cover art is part of a compilation series that comes out every year, i think Kompakt is on Total 8 now, definitely worth looking into especially their other compilation series “Pop Ambient” which is also yearly. For the non techno fans, i promise to keep the techno to a minimum, if i post techno its mostly because of the melodies usually.

Closer Musik – 1,2,3, No Gravity

Some of you that might read McSweeney’s lovely Believer Magazine(which my dad turned me onto) might already have this from last year’s music issue. Zach Condon aka Beirut put together a great track for the magazine which also does the Wolphin DVD series which features greats like Zach Galifianakis and i think David Cross. Venice is alil more lush and slower going than his Beirut music since he strips the track down to only him singing, a hypnotic synth melody, and muted horns. I first heard this track off a mix my DJ partner’s Worst Friend’s did last year and i had to have it by itself, they did an amazing podcast today for Ghostly International which includes Tycho’s The Disconnect. We sometimes see Zach at Macri Park Bar where we DJ at every Wednesday in Brooklyn, i’m always tempted to put the track on.

Zach Condon aka Beirut – Venice

When I was in Toronto I had the good fortune to hear an advance copy of Montreal-based indie outfit Wolf Parade’s forthcoming album, At Mount Zoomer (due out June 17th). Suffices to say, I was very impressed; this will surely be one of my favorite albums of 2008. The track below is a stand-out on the album, but still just the tip of the iceberg. And yes, the cover looks like a 3rd grade class project gone awry, but the colors bring it together and make it somewhat bearable and after all, this is the standard visually ironic fare I would expect from a release like this. As we learned the other day, sometimes a bad album cover can mean great things are hiding on the inside.

Wolf Parade – Soldier’s Grin

[audio:wolfsoldier.mp3]

Chicago’s Kranky Records is home to the music that soundtracks my day like Loscil, Stars of the Lid, Tim Hecker, and The Dead Texan which i will share in future music posts. In recent years they have gained probably most their popularity from young guys like Deerhunter and Atlas Sound but the one musician songwriting wise that sticks out is Portand’s Benoît Pioulard. The artwork and photography is done by Will Calcutt who is a great photographer out of Los Angeles and probably couldn’t of pushed this artwork in my opinion closer to perfection for this album. Hopefully this hits the spot to carry you into the weekend.

Benoît Pioulard – Ash In The Sky

I remember this 12″ cover art looking right at me when i walked into Etherea Record Shop in East Village, it was pretty much everything i wanted in a font and texture a few years back. This track reminds me of Erlend Oye right away, it feels like something he would sing over but his voice never drops in. If you get a chance check out this record label Eskimo Recordings, they have great art direction and some of the best slow motion disco out there.

Lindstrom & Prins Thomas – Suppegjok

So if the last music post left you wondering what ever happened to Digable Planets here’s at least a small part of the explanation. My favorite member of Digable was definitely Butterfly, so when I heard he had a solo project called Cherrywine I was pretty excited. The resulting album is sort of middle of the road for me, but this single is definitely strong and while the subject matter is a far cry from the revolution fomenting intellectualism of Blowout Comb it’s still an enjoyable listen.

Back in 2003 when this album came out I was able to catch Cherrywine when they came through Sacramento. It was noticeably underattended, particularly considering the fact that the group was headed up by none other than Ishmael Butler. While it was sort of disappointing to see such a poor turnout, it ended up working in our favor as we got to meet Butterfly and talk with him after the show.

Cherrywine – That’s What I’m Talking About

[audio:cherry.mp3]

If you cared at all about hip hop during the early 90’s, chances are you’re a big fan of the two albums Digable Planets released during theie brief but brilliant career (Apparently they are touring again, but I’ve yet to hear of a new album). This was way back when, just as rap was turning into the complete mess we hear today and before "what what what what what what what what" was an acceptable refrain for a song. I know, I know, it’s not like everything back in the day was great, and it’s not like everything now is trash; it just seemed like it was easier to come by a well thought out, intelligent hip hop album back then.

When Digable Planets released Blowout Comb I was a Junior in High School and I had spent the previous summer installing a ridiculous sound system in my car. I think I played this album about 500 times in a row the first week I had it; I distinctly remember blasting this particular song (9th Wonder) on repeat on the way to taking my S.A.T.’s that year. Strange how you can forget whole chapters of your life but somehow you remember something seemingly as trivial as the song you listened to on the way to a test. I guess that’s the power of good music. It seems today I consume most of my music through headphones on planes or coming out of computer speakers, neither of which do this song justice, this one has to be played through the 12’s in your trunk to get the point…the bass is massive.

As for the cover art, this was the sort of thing I coveted when I was younger. I wasn’t exposed to anything even approaching good design where I grew up so album covers were one of my only windows into the world of somewhat decent graphic design. I remember being blown away by the design and packaging of this CD when it came out. Now looking back, I see it wasn’t exactly perfect, but still well executed considering. The version on the bottom is the cover for the single, which I think I had in cassette form before I got the album on CD.

Digable Planets – 9th Wonder (Blackitolism)

[audio:9thwonder.mp3]