Sigur Ros – INNI




I haven’t listened to Sigur Ros in ages yet I definitely credit their earlier work as some of the most beautiful live band shows i’ve ever seen. As for any info on INNI, we have none besides just signing up for their newsletter and watching this video below.

Ducats 1980s Milk Packaging


Tears of joy would stream from my eyes if this were under my tree Christmas morning. It is now that I can fully appreciate the simple solutions of such design—less is more. It just makes me sad to know that the chance of this ever happening again on mainstream packaging is slim to never.

Via Wanken / Re:collection

Beaches+Deadbeat+Outputmess.+A. France



The haziness that this Dirty Beaches song puts me in is just unbelievable, the man has honed in on the perfect balance of song writing and lo-fi decay.

When Deadbeat is spot on his textured dub sound its some of my favorite listening music. Grabbing songs here and there from his discography can make one of the most enjoyable audio sessions for someone that is new to experimental music.

Outputmessage has become catchier and catchier, originally just making beautiful avant synth pieces but now its straight forward soft club material.

We should be excited for the new Air France album but its a bit too much for me at the 2:00 minute mark when the American Idol child star vocals comes in, I was just totally enjoying myself then made an awful face when it came in, i’m sorry but I like Air France too much to not say anything.

Linda McCartney






Linda McCartney married Paul in 1969 and was a professional photographer who shot intimate portraits of some of the most influential artists of the 60s.

Linda was house photographer at the Fillmore East concert hall and shot numerous musicians including the Stones, Doors, Frank Zappa, Kinks, the Who, the Beach Boys, the Byrds, the Beatles etc.

A collection of her photographs titled Linda McCartney’s Sixties: A Portrait of an Era was published in 1993. Sadly, Linda was diagnosed with breast cancer two years later and passed away at the McCartney Ranch in 1998.

via Design You Trust

PIAS UK Burnt Down, Physical stock lost

If you haven’t heard yet (I heard via Rough Trades twitter) that the warehouse of PIAS UK distribution(music distributor to over 150 indie labels) burnt down during the London riots, the only info I have found is the statement below, I hope all the indie music lovers out there can chip in and help out during this huge loss.

I have no doubt that if you’re here you’ll have heard the news that the PIAS distribution centre in Enfield has been burnt down during the London riots. What you may not be aware of is that the warehouse contained the physical stock for most of Britain’s Indie records labels. The subsequent loss of income and cash flow problems that this act of mindless vandalism will bring about may well be enough to push many of the smaller operators out of business.

Our aim is to try and rally the music industry, both on the artist and the audience sides, and see if we can raise some money to see those affected through the tough times ahead.

This is just a holding page at the moment but more details will be posted here as and when we have them. In the meantime, if you would like to get involved or contribute in any way please drop us an email to: piasfundraiser@gmail.com” – PIAS benefit

This distributor was home to many labels listed below

2020 Vision
Beggars
Border Community
Boysnoize
Def Jux
Domino
Drag City
FatCat
Full Time Hobby
Kitsune
Kompakt
Lex
Mute
Ninja Tune
Peacefrog
Rough Trade
Secretly Canadian / Jagjaguwar / Dead Oceans
Soma
Sonar Kollectiv
Soul Jazz
Subliminal
Thrill Jockey
Touch And Go
Vagrant
Vice
Warp
(and many many more)

John Jay of Wieden Kennedy + Creativity

John Jay of Wieden + Kennedy was recently named one of the most creative business people in 2011 by Fast Company. His position as W+K’s executive creative director takes him between all of the W+K offices in an effort to breed those cultures into the main headquarters in Portland.

In this video John Jay talks about his creative process. He takes a step back and approaches his interpretation of process from a wise view. What I’ve drawn mostly from this is that it’s about conversation. Most importantly it’s about listening to what people have to say and then taking that to make it relative and understandable to other people.

The last thing that I’ve drawn from this that I agree with is that you should always place yourself around people that you aspire to be. It’s really about surrounding yourself with positive energy. It sounds cheesy but it makes a world of difference.

The greatest thing we can offer is to be great listeners.

Also shared on Wanken

Four Tet + Neon Indian + Solvent + 47.5



Four Tet shares a new song which will be coming out on this Fabriclive mix, I think long time fans will be really happy with this one, sounds like something off Rounds.

Neon Indian hits us with another single from his upcoming album and gives it away for free, head here and type in DT7UUE to redeem. Now this song puts the album in contention for one of the top 10 electronic albums of 2011.

One of the main reasons I kept checking out more experimental electronic music was because of an old Solvent song, I feel like I always owe him because he made the journey a lot more enjoyable, here’s a new one on his own label Suction which has been revived.

I walked into a vintage shop in Williamsburg last month to look at these hand made pedals/synths and I shazamed (Shazam app on the iPhone) this song, it was nice revival of what was going on in the more interesting end of downtempo.

Nosh 404: Process Post



There’s always been an arms race of sorts, between startups, surrounding their 404 pages. Often times sites do something unusual on this (hopefully) seldom viewed page. When we first started working on Nosh, we had a lot of fun brainstorming ideas for our 404 page. We wanted it to be crazy and I think it ended up being just that.

Above you will find the video that became our 404 page. It’s loud, crazy and weird. Definitely the most fun I’ve had on a Sunday in a long time. I’ve written up some production notes here — if I miss anything feel free to ask in the comments and I’ll be sure to answer. Follow me on Twitter here.

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0neohtrix Point Never Mix for Modular



Modular is a great label but also an excellent source for mixes sometimes, this morning they shared 0neohtrix Point Never’s
sporadic yet highly enjoyable mix that made kick myself for not listening to Nobukazu Takemura anymore.

Tracklist:
1. Jean-Philippe Goude – Sicilienne
2. Kraftwerk – The Telephone Call
3. Big L – All Black
4. Limpe Fuchs – Wir Tanzen
5. John Abercrombie – Timeless
6. Nobukazu Takemura – Icefall
7. Eduard Artemiev – Hope
8. araabMUZIK – Lost in a Maze *edit

DOWNLOAD THE MIX HERE FOR FREE

Andy Gilmore – New Prints and Interview




The Ghostly Store just released an exclusive interview and series of prints from Andy Gilmore, below is the beginning of the interview and here’s a link to check out the rest of the designs.

GI: Tell us about your first memory.
AG: Drawing is at the center of a lot of my childhood memories, the most profound of which is watching my father draw. I remember being astonished in watching his lines take form into realistic depictions of horses

GI: So you were into skateboarding, how did that affect you?
AG: Yes, I starting skateboarding in 1987 or so, in the era of H-street. Skateboarding has introduced me to a lot of great and talented people that have guided me on my personal and professional path.

In 2002, an old friend from skateboarding offered me a job resizing print ads for C1rca footwear and Forum snowboards in Southern California. Fourstar was the beginning of working with the computer for me and I will always be indebted to the wildly talented creative staff that I learned so much from.

GI: How do you feel about music, in regards to your artistic life?
AG: Music is at the center of my artistic life. As a musician I have always been fascinated by the harmony and the physics of sound in a sense defining music as waveforms, waveforms whose properties and proportions define our scales, from which we write our melodies, in which we weave our emotions and memories into songs.

In addition to music as an experience I have been very interested in the theories, methods and language of music ”serialism, minimalism, spectralism, indeterminacy, improvisation, tonality/atonality, silence/noise, raga and rhythm these have always informed the language that I applied to design and ultimately shaped my work.

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