Pitchfork Media and XLR8R have teamed up and curated a free compilation together which features a ton fresh talent. I picked a few songs from it, the real stand out is the energetic work by Nice Nice, has this feeling of Battles meets Konono N°1, its strong on the tribal tip and the combination of dynamics and uptempo really work well for this sound. Others artists include Willits and Sakamoto, Hudson Mohawke, Lusine, Atlas Sound, and a many more.

In part 2 of the Vintage Ski Ads Series I chose some that focused in on the skis themselves. When I see skis these days they either look like pop culture threw up all over them or they were designed by the same guy who makes the info graphics at the bottom of the ESPN screen. Looking at the examples above it’s plain to see they had a little more appreciation for subtlety and a sense for classic design back in the day. Either that or the printing methods were such that they were limited to simple shapes and colors and the designer in me is just picking up on that.

When I think about it, this could be the case with a lot of older stuff. I think we as designers often appreciate unintended aesthetic elements; things that were a function of necessity or limitation rather than deliberate design decisions. A good example would be vintage audio equipment. I think the Neve Sidecar is one of the most beautiful inanimate objects ever created. But when you really look at it you realize it was designed by engineers; pretty much every design decision was dictated by necessity and function. So I must be reinterpreting that as physical beauty creating a connection between the idea of an object’s functionality and it’s aesthetic beauty. In other words, maybe I only like how it looks because I appreciate how it works (or in this case, sounds). Then again, I have some gear around the studio that I love the sound and functionality of but is just downright ugly to look at.

Anyways, all those Rossi’s are incredible. This whole style needs to make a comeback, but it seems these days people need to be beaten over the head with design instead of left to appreciate its finer points on their own. I’m not saying there’s not a place for busy, crazy graphics on skis — I myself have designed several busy, crazy skis — I just wish there were more like these to choose from. I guess it’s a different industry, no longer do guys in mock turtlenecks with comb-overs get all scientific and wear collared dress shirts while developing new skis in the lab, now it’s just this guy and a Nintendo DS in a dark room.

Jay Bodley aka A Setting Sun has been on the blog before with his cover of Air’s Le Soleil Est Pres de Moi but that sound is far different from what he’s brewing which is more of a textured doom metal that you’d find from an artist like Ulver with hints of what a non-metal fan would call beautiful. Raspberry is a song that could be split up into multiple sections where you start off with the unforgiving coldness of the intro and lets you enjoy a bit of familiar acoustic guitar and then fades into an almost ceremonial muted brother of the intro, its grey yet ends on a restful feeling that everything has calmed down.

The mysterious grace that Johann Johannsson shares with us reminds me of what a mad man would hide from anyone that feared him to not show that he has such a passionate side. Think if Tangerine Dream had to make a dark classical piece with Jan Jelinek without beats or glitches.

The label Kranky can never do me wrong, you dig in their back catalog and just find treasures and one song that I found from this Christopher Bissonnette LP made me happy that there were such things as good A+R.

Tim Hecker is a hero in my mind to lo-fi ambient, if I ever drowned this better be playing so its as bittersweet as I could ever imagine it being.

Take your time with these songs if you really want to enjoy them, if this sound isn’t something you usually listen to then I suggest listening to it alone, yet close to you but not overwhelming yourself. Try listening to it as background sound quietly then try listening to it noticing every detail, you might realize how much goes into making this sound appealing.

Late last year I had to pleasure of interviewing Danny, Marieke and Erwin of Experimental Jetset. Founded in 1997 and based in Amsterdam, Experimental Jetset is one of the most exciting and highly regarded studios working today. They create exceptionally beautiful work; immediately recognizable for its top notch quality and unique remixing of modernist principles and stylings. Their global renown continues to soar– most recently thanks to their part in Helvetica and the extreme popularity of their (now re-released) John&Paul&Ringo&George shirts.

A quick perusal of their website can easily turn into hours as you browse through their catalog of work and read their comprehensive descriptions of each project. In these descriptions, and especially in interviews, the depth of their reflection is astounding. They take great care to consider every perspective — whether it be a report of one of their own projects, or an answer to a seemingly basic interview prompt — their ability to discuss Design and work is as remarkable as it is fascinating. What follows is our discussion from November 2009. Enjoy!

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I’ve been getting ready a few playlists so I can to do a few different style DJ sets of music that I share with you on the blog. I really miss having my DJ partners Worst Friends (Tom Croose and Slowhands) because they had such great taste and kept the tempo low and the sounds unique. Here are just a few songs that are on the more crowd friendly and less headphone only.

Phantogram with The Drums I think will own the indie scene early on in 2010, Josh and Sarah put on an amazing show a few weeks back in Brooklyn at Brooklyn Bowl. The sound is Portishead stepping it up with a full spectrum of energy on stage and on top of that they just make some of the most sugary lush pop with depth, HIGHLY RECOMMENDED.

This song by Om Unit combines what I loved about old Kompakt and off the beat and path Dubstep, like a 2562 remix of Superpitcher.

I’m not sure how the original of this Robot Koch song sounds or who Shlohmo is but man I want more, such a good intro, reminds me if Flying Lotus was forced to combine Southern Hip Hop with a South London digital sound.

Audion is still a favorite producer of mine and this track Push has all the elements aligned to explain why. Its the growth of the repetition and waiting for the hints telling you its going to change and multiply, I always imagine a close up of the bottom of an ocean liner tearing thru a coast into a city uncontrollably when I hear this song, ahh how relaxing ; ].

AARNIO DATES**
January 22nd, 2010
Slowhands w/ Memek – AUTOBRENNT Rivington Hotel [New York, NY]
January 27th, 2010
Shigeto w/ Beautiful Bells, Raeo – Public Assembly [Brooklyn, NY]
February 9th, 2010
Phantogram w/ Andre Obin & more – Together Festival [Boston, MA]
**I DJ as Aarnio just an FYI

I often like to click on ISO50 commenters links connected to their names just to see what there all about and recently clicked on AndresM and found out what they(I guess a couple shares this account? :] ) wanted for Christmas hah, It was this close to affordable alternative to a Super 8mm video camera but in digital called a Zumi. Here is a pretty decent example of footage, not bad for the 170USD price tag:

Now for the music, I think everyone will be very happy to hear this Swod song and give this Lusine track a try, the second half of it builds like a Lusine classic.

Combining a polished illustration style with the beautiful mechanics of small arms weaponry, Jonny Wan has created these terrific pieces. I like how he’s reduced the weapons to their most basic parts, while simultaneously adding gorgeous little details here and there. I feel like they would shoot creativity bullets instead of metal ones. His style reminds me of what might happen if you mixed Leandro Castelao and Sanna Annuka in a twisted pot of liquid talent. 2010 is sure to be a great year for Mr. Wan.

httpvh://www.youtube.com/watch?v=V3KrFV0-WFw
I know this falls a little outside the normal scope of this blog but it’s Friday and this was too good to pass up. The Parrot ARDrone is being billed as the “First iPhone-Controlled Quadricopter Drone”. There’s no need to go much further than that for me, but add a camera to the helicopter and camera-view mode to the iPhone and I’m sold. The most amazing part of it all is the craft’s ability to right itself automatically using it’s built-in array of sensors (not to mention the potential for augmented reality applications given the manufacturer’s third-party development scheme) . It’s not out yet — the site says “coming in 2010” — and no word on pricing but I can’t imagine it will be very cheap. I think I’d be willing to splurge on something like this as long as it was cheaper than the iPhone itself. For more info check out this hands-on test of the ARDrone.

While the Quadricopter and it’s iPhone interfacing abilities are pretty incredible, I wish they had made an airplane version (although not sure the WiFi range would be sufficient for that), small R/C helicopters seem like they’re mostly for bothering dogs and tooling around your living room, not really as suited toward outdoor flight as the video suggests. When I worked at BKWLD with Dusty we got a couple of R/C planes and would fly them at lunch in the open spaces of Roseville. I loved those things, I don’t know why but R/C never seems to get old, I think I was about as excited every time I took that thing out as I was the first time I got an R/C car for Christmas. Since I moved to San Francisco I haven’t been using it; I think it’s in a closet somewhere. I bet the batteries are shot but I might get some new ones and take it for a spin at the park this weekend.

Video Link | Parrot ARDrone Site

PART ONE: MANITOBA aka Caribou

I remember it hit me and it hit me hard the day when I sat down with Manitoba’s(now goes under the name Caribou) Start Breaking My Heart, it was the beginning of my relationship with being addicted to buying electronic music on its release day and following artists that weren’t just on the radio or what I heard from friends. During that time I had this surge of wanting to build furniture, design clothes, I drew almost daily and wanted to do interior architecture for minimal homes and this was just the crazy uncontrollable push that kept my gears turning in the middle of the night. These songs all have this feel to them of a perfect soundtrack for a creative loners world, plenty of detail in the melodies and familiar sounds from childhood shows and toys.

Some excellent photography by Greg White. The mood of his pieces reminded me of some of Kim Holtermand’s recent works. I like pictures of deserted places that are normally really busy. You can sense a lingering human presence, but are confronted with the total absence of life. The result of which is captivating images such as these, that are as spooky as they are beautiful.