In keeping with my recent car kick I thought I’d post these vintage BMW ads. The first one — created as part of BMW’s affiliation with the 1972 Munich Olympics — is vaguely reminiscent of Otl Aicher’s posters. I’m assuming this was no accident. It’s also a big enough file that you could probably get a pretty good print out of it off a nice inkjet (click image to view full size). I really wish more vintage posters like this were available in higher resolutions. With most of this advertising stuff, the owners of the copyrights have no intention of ever printing them again, it’s a shame they can’t be reproduced and enjoyed by more people.

Via CarType

I know starting out the year with a non music post from my end isn’t what I should be doing in my mind but its Sunday and before we get back into our consistent groove I wanted to share some prank calls from the very unique Longmont Potion Castle. His subtlety and choice of words some of the time really make these worth listening to over and over. He has this lazy and broad reply attitude that keeps people on the phone which I really admire and I think thats what made me want to share these with you all. If you like any of these there up on iTunes.

**Note some of this is NSFW

Ghostly’s 110 is a rundown of our favorite albums of the decade. In making the list, we wanted to share the albums we’ve loved over the last 10 years, so fans can compare notes and perhaps make a few new discoveries in the process. The impetus for this list was our belief that a record label is more than just a music distributor–it’s a perspective all its own.  

To start, we asked the Ghostly staff for their top 100 albums (no EPs, reissues, or various-artist compilations) from the decade.  While there was a stunning consistency within the top 20, there were hundreds of releases that had only one vote.  From there, we had to make some tough decisions. Tears were shed and punches thrown, but we ended up with a document that wears the Ghostly seal of approval with pride.

We also wanted to keep our list pure and nepotism-free, so we left off all Ghostly/Spectral albums, as well as any artist who has over a few songs on the label. Of course, this meant we couldn’t include eternal classics like Solvent’s Solvent City, Rafael Anton Irissarir’s Daydreaming, and of course, Tycho’s Past Is Prologue.

In short, it’s been a wild decade. We’ve all seen and experienced so much, and while no one knows what the future holds, we do know that good music will always keep coming.  Ghostly’s 110 is also a tribute to the labels and record stores that have inspired us, and the ones that we’ve lost in the last decade.

There are more than a few albums that could have easily made the list, and I wanted to recognize them below.

The Sea and Cake’s Oui (Thrill Jockey, 2000) was an easy contender for top albums of the decade that just didn’t get the votes, perhaps overlooked because of the bands consistent understated awesomeness. A mesmerizing album of subtle grace.

Dungen was a band that seemed to come out of nowhere with Ta Det Lungt (Kemado, 2005), capturing a piece of the global mindshare with this album of puzzlingly perfect rock.

I know E. Lipp is a fixture at ISO50, but Tacoma Mockingbird (Hefty, 2006) is the record that put him on the map. Beautifully conceived synth lines atop classic breaks.

Like a bolt from the (aqueous) blue, Portishead returned with Third (Island, 2008) having lost no steam and having found their new voice–while retaining the haunted, dusty majesty of their early work.

CHOP CUP from :weareom: on Vimeo.

I thought I should share this since the video treatment and unpredictable ending made watching it over and over a good time waster.

On top of wanting to travel the world this upcoming year I think one thing that I want to do along with seeing the new city is to hear Peter Broderick play live there so I hope the man tours this year so I can have some options. This beautiful collaboration called Blank Grey Canvas Sky by Peter Broderick & Machinefabriek has calmed me at airports and let my imagination walk slow and happily before I go off and sleep, highly recommended.

I wasn’t too impressed by the new Joe Goddard LP, his work with Hot Chip always excited me, and this song Lemon and Lime (Home Time) is more of what I wanted but instead a good portion of the LP has a ton of preset sounding synth work which was rough at times to sit thru. This track was well worth the purchase of the LP but man only if I got more of this sound i’d have it on repeat.

ATTENTION: this DJ Sprinkles Midtown 120 Blues album is my jam, soft 4/4 IDM meets deep minimalistic house, let it ride out don’t just judge it by the intro, it will reward you after the breakdown.

Horror fascinations for a music video and odd dark pop sometimes can be done well and Salem pulls it off but I think i’ll just stick to listening to the music and not getting too close to reading into the bands interests.

I saw Avatar last night (in full 3D IMAX glory) and really enjoyed it. It reminded me of how I used to feel when I would play video games as a kid — not so much because of the graphics or anything like that, more because of how in it I felt. I remember when I used to play Zelda for example, my imagination would just take over and for those couple hours I lived in that universe (I was a nerdy kid). Avatar is like this; it is very easy to forget you are watching a film and think you are actually physically along for the ride, as there are no visual limitations to give you any indication otherwise. There were moments when you could hear the whole theater let out audible gasps as something incredible came on the screen. The first time you see one of the giant mining machines is pretty amazing. Of course the plot follows an extremely predictable trajectory, but seriously who cares. When things look this cool I am willing to make concessions on freshness of plot.

I saw the film with a few friends, one of whom is an interaction designer. He was mesmerized by all the crazy user interfaces the characters were manipulating. The spherical and detachable computer screens were a favorite. Meanwhile I couldn’t get over the choice of typeface for the subtitles; Papyrus (or some variant, essentially the same thing). The rest of my friends thought I was a huge nerd when the first thing I said out of the theater was “What was with that subtitle font!?” It is crazy to think (in my opinion) that $280 million went into this movie and they chose the one font that is at the end of most typography jokes (save maybe for Comic Sans). I know it probably fit better than a super clean sans serif (and I can’t imagine there weren’t hours of discussion over this point), but seriously, Papyrus?

Further: Kottke describes another interesting issue, regarding the realism of the Na’vi’s technological development. I don’t necessarily agree with his point (I think they were as advanced as they wanted/needed to be given the physical and spiritual qualities of their world), but he makes an intriguing argument.

The Museum of Flight displays an impressive collection of vintage airline logos. As I’ve just spent most of my young life traveling between DC and SF over the holiday, airline logos aren’t exactly what I want to be looking at right now — regardless, some of these are too good for me to mind. Lufthansa is still my absolute favorite (I gravitate towards anything with a stylized bird). The images are relatively high quality and they have a ton more over on their site.

The wondrous Gestalten has a terrific selection of videos up on their site Gestalten tv. Anyone familiar with their publications knows that Gestalten is synonymous with extremely high quality production. I wasn’t familiar with many of the subjects listed, but found each one engaging and very well done. The one on Postlerferguson above was especially entertaining. Definitely going to order a paper MP5.

Of course I had to include the recent video on Dieter Rams above. I find interviews with him to be mesmerizing and am nowhere close to tired of seeing new ones pop up (as his exhibition makes waves in London). The book Less and More is available for purchase from Gestalten (in Europe), Vitsoe, and Amazon (though looks like not until January).

Gestalten.tv creates a broad range of documentaries, interviews and features that introduce Gestalten related subjects alongside individuals, projects and companies that are vanguards of visual culture.

The holiday break has been great and I hope you all have been finding some time to rest and listen to new music. With this new playlist option I wanted to maybe drop in and make a few select artist playlist and why not start with a favorite like Cocteau Twins, let me know how you like these and if they flow well and if you want a few more.

I’ve been geeking out on ’70s supercars lately and came across these gems depicting a BMW concept from 1972. The “E25 BMW Turbo” was commissioned to celebrate the 1972 Munich Olympics. BMW tasked famed automotive designer Paul Bracq to create the concept of which only two were ever built. Honestly, I love the front angles, but not really feeling that rear end. It feels very hatchback/kit-car-ish and the doulbe logos are killing me. Thankfully some of the finer points made it into production in the form of the M1 and some others.

That first shot is just off the charts; in the background you can see BMW’s Munich headquarters which was designed by architect Prof. Karl Schwanzer shortly before his death in 1975. In the other shots you can catch the games tent and the communications tower providing apt backdrops for the Turbo.