In the early 2000s I was pretty much a downtempo DJ full time playing Wine Bars, Salons, etc weekly, doing my best to warm people up to electronic music beyond the general stuff like Thievery Corporation, Atjazz, Gotan Project and Kruder & Dorfmeister, that stuff was good but forgettable and wasn’t helping the electronic world grow. I liked the challenge of playing to a diverse older crowd that you knew if you played Boards Of Canada it would be too experimental and odd, if it was glitchy or 4/4 it would be no good and they wouldn’t get it, it if was ambient people would complain about falling asleep. Playing something like The Smiths, Air, or stuff like Nike Drake would just be too easy, hell you might as well just stream chill online radio. I did my best playing a lot of stuff that sounded like Yoshinori Sunahara, I can’t explain the sound that was happening at the time that sounded like this, it was the soundtrack to my early short lived graphic design career attempt. The backbone was Broker/Dealer and other stuff on Traumschallplatten and if you dug more into it this whole world opened up that sounded like 50s Scandinavian design meets instructoart in slow motion, thats how the Moodgadget logo was born actually, this Yoshinori Sunahara track takes my imagination back when Royksopp was good and helped me creatively make flyers, logos, etc. man I miss those days.
Moving right along to finding attraction in some darkness, this Holy Other song has me in vice grip, I can’t let go, the goth tone sits perfectly with me, I can only imagine scenes of pure despair but shot beautifully. HIGHLY RECOMMENDED
Keep Shelly in Athens has had my ear all year long, this is the first remix i’ve heard by them and i’m really impressed by the clarity and drive. For some reason people are rocking saxophones right now and i’m not complaining…………yet.
I think this Christopher Rau represents all of what house and techno should sound like in the winter time. If you only listen to house and its daytime and your just comfortable in your apartment then this what i’ve prefer to hear.
I’m really digging that Holy Other track. Great post once again…but not great for my wallet.
I love Yoshinori. Been a huge fan of his other two albums Pan Am and Take Off and Landing.
that saxophone is absolutely unstoppable
“Balance” is absolutely awesome!
It is my opinion that more bands should make use of the saxophone. It’s one of the things that makes Menomena (http://www.myspace.com/menomena) so mesmerising.
great selection.
So, comments are deleted if you don’t like what someone has to say?